The author of the poem was born in the era of 50’s where there is an influential movement occurred at that time which involves massive change on literature works by many artist. This movement presented a challenge to traditions of fine art by including imagery from popular culture such as advertising, news, etc. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material, known as installation art. The concept is employing such aspect like mass culture and gives the idea of abstract expressionism. It is aimed to gives images of given culture in such ironic way to emphasise the poor taste because of its excessiveness.
Firstly, Donne's poetry is highly distinctive and individual, adopting a multitude of images. The poem offers elaborate parallels between apparently dissimilar things, “Then as th’ earth’s inward narrow crooked lanes, Do purge sea water’s fretful salt away,” (Donne, Lines 6-7) Donne's poem expresses a wide variety of emotions and attitudes, as if Donne himself were trying to define his experience of love through his poetry. Although, “The Triple Fool” gives a limited view of Donne’s attitude towards love, Donne treats the poem as a part of experience, giving insight into the complex range of experiences concerning love and grief, “I thought, if I could draw my pains through rhyme's vexation, I should them allay.” (Donne, Lines 8-9) Overall, the imagery in “The Triple Fool,” contributes to Donne’s sorrowful diction of love and grief. Moreover, Donne explains that poetry is for love and grief, and not for pleasing things, but songs make love and grief even worse. The first verse of the poem states that he is two times a fool, a fool for loving, and a fool for admitting it, “I am two fools, I know, for loving, and for saying so in whining poetry.” (Donne, Lines 1-3) Donne follows to say that he would still not be wise, even if “she” (Donne, Line 5) returned his love.
This poem, like most of his poems, revolves around a common object or event. But these objects and events are not only what they appear to be, they also have a deeper meaning, they are metaphors for larger issues and themes. By obscuring his theme and working so covertly in metaphor, the reader is forced to come to their own conclusions about the work. This is exactly what Frost is trying to accomplish, through metaphor he strives to make the reader think about his poem, what it means and what he is trying to say. Robert Frost the most famous American poet of the last century was born in San Francisco in 1874.
Sylvia Plath was a poet and author who deeply and thoughtfully engaged with the period in which she lived, which was rapidly evolving and developing. This is clear in her poems “Morning Song” and “The Applicant” as well as her novel, The Bell Jar. Plath passionately challenged many social expectations, such as the expectations placed upon females as well as pressures on men – the expectations of “the perfect life”. She also challenged consumerism. Because of the way that she engaged with and challenged the changing reality of her period, her contribution to the literary world is valued most highly.
Response to “Counting the Mad” When reading the contemporary american poetry anthology I found myself becoming almost lost in one specific poet. Donald Justice, or more specifically, one of his poems,“Counting the Mad” was a poem that was both the most enjoyable work for me to read and at the same time, the most difficult for me to understand, at first. For myself this poem could be compared to a type of riddle due to its ever apparent ambiguity. At the same time, I believe that this poem takes a satirical perspective of mankind. Justice utilizes the sound similar to that of a nursery rhyme to engage his readers.
To what extent are there common threads in the poetry of at least two poets you have studied this year? Futility is an inevitable aspect of human nature. Throughout the creative elements of poetry, the poets Sylvia Plath and Wilfred Owen have extensively explored the central concept of futility through varying perspectives. By the utilisation of poetic techniques such as metaphors, symbolism, and irony, the effects of conformity, death, and loss of self-identity have been reflected upon by the poets. A society is a place where people should feel a sense of belonging, but a society exhibiting a lack of compassion is one that is sure to crumble.
The appropriateness of From Ritual to Romance appearing in Apocalypse Now lies foremost in the fact that it was this book that inspired T.S. Eliot’s Wasteland, a poem that addressed Eliot’s reaction to the dislocation he felt following World War I. Coppola pays homage to Eliot by including both his poem and the book that inspired it in the modernized cinematic portrayal of Coppola’s response to the dislocation and moral ambiguities brought about by the Vietnam War. There is, however, more at work here than a mere homage to the influential poet. That Coppola should include From Ritual to Romance indicates a deeper commitment, a fact that is furthered by the physical placement of the book in the movie. On Kurtz’s table we find three books: The Bible, The Golden Bough, and, as mentioned earlier, From Ritual to Romance.
The lyrics challenged the traditions of poetry with their sensuous nature. Critics hailed the book, and Cullen's success helped to promote the work of his fellow African-American writers. Cullen also contributed to the Harlem Renaissance a sense of poetry as a tradition. That is, although his topics were often controversial, he wrote many of his poems in the form of the Shakespearean sonnet, and critics often discuss the influence of English Romantic poets, such as William Wordsworth and William Blake on his
During our lives we will have to take many journeys some happy, some sad, and some tougher than others. I was asked to read Gilgamesh written by Stephen Mitchell and Beowulf transcribed by Seamus Heaney. There are many differences and critical comparisons that can be drawn between the epics of Beowulf and Gilgamesh. Both are historical poems which shape their respected culture and both have major social, cultural, and political impacts on the development of western civilization literature and writing. Before any analysis is made, it is vital that some kind of a foundation be established so that a further, in-depth exploration of the complex nature of both narratives can be accomplished.
That’s why the major themes of Maya Angelou’s poetry stand for racial, sexual, cultural and political subjugation which are in long run consequence of hegemonic principles. This paper will scrutinize the theme of hegemonic ideology that incorporated in Maya Angelou’s poetry. During European Classical antiquity, hegemony as an indirect form of imperial dominance denoted the political-military dominance of a city state over other city states. In twentieth century, the concept of hegemony prefers to cultural hegemony due to abolishment of direct arms activity and martial expedition in the name of modern and civilized viewpoint by the manipulation of the social value system, one social class dominates the other social classes of a society, with a world view justifying the status quo of bourgeois hegemony. As a universal, politicio- cultural hegemonic practice, the cultural institutions of the hegemon establish and maintain the political annexation of the sub-ordinate people.