In 1924 with the publication of the “Manifesto of Surrealism” by the poet and critic Andre Breton, it shed light on the surrealism movement and was an explanation into world of the subconscious. Surrealist painters where more concerned with images than form and colour, making use of picture perfect realism. Realistic in detail these images may be, but far from realist in the subject matter chosen. Like photographs from nightmares, revealing the disturbing subconscious mind. The art works force us to question the sense or meaning of the picture, and thus
Claude Monet is one of the most vital painters in French, a great deal of theory and practice of Impressionism, he also take the majority of participate in contribution. He specializes in experimental and performance techniques of light and shadows, and his style is concentrate on description of shadow and contour lines of paintings to create a bold innovation, making a deliberate break with traditional sepia-tone style. Moreover, Monet’s technique towards making use of color is quite fine and delicate; he used a large number of identical ordinary subject matter to experiment with light and color. Charing Cross Bridge, Fog is one of a twelve finished series oil painting that was created by Claude Monet in London, the United Kingdom in 1902. The 2 angle of its vision is oblique.
Picasso has many great accomplishments attributed to his name. One of the biggest things he did was to co-found the cubist movement. This art form is abstract and arranges the images in a distorted manner using cubes. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a portrayal of the German bombing of Guernica during the Spanish Civil War.. Picasso’s work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1905–1907), the African-influenced Period (1908–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919).
He was technically known for his involvement in the pop art movement. Hockney used different mediums in some of his works including photography and has also experimented with cubism. Richard Diebenkorn is mostly known for his signature large-scale, vivid abstractions known as the Ocean Park Series. His abstract, as well as his earlier figurative works explore the balance between surface modulations and illusionistic depth, between the establishment of structure and its disintegration in light and space. Vermeer is one of the most famous Dutch painters of the 17th century.
Picasso’s severely intellectual style known as analytical cubism is a style of painting Picasso developed together with Braque using monochrome brownish and neutral colours. This style involved taking apart objects and analysing them in terms of their shapes as seen in Picasso’s artwork Three Musicians. This work marked the first use of collage in fine art. Later on in his life, he associated himself with other intellectuals who impacted on his thought and art making. His quotes and paintings (Particularly analytical cubism) clearly demonstrate that Picasso was an intelligent man, enough to be considered a genius.
Surrealist artists Salvador Dali and Rene Magritte have communicated meaning by using the subjective frame in their artworks. The utilisation of symbolism, contrasting colours, juxtaposition and space help further enhance these messages. Whereas Dali aims to amuse, intrigue and shock the audience, Magritte’s artworks confront the audiences normals views and beliefs. Salvador Dali’s 1931 artwork ‘The Persistence of Memory’ is one of the most famous and iconic Surrealist paintings, combining everyday life and the dreamlike, subconscious world. Dali communicates his message of time and how it is slowing down by using symbolism, juxtaposition and colour.
INTRODUCTION Henri Matisse – (31 December 1869 – 3 November 1954) was a French artist, known for his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Picasso and Marcel Duchamp, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of 20th century, responsible for significant developments in painting and sculpture. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.
He is also, in his own way, an artist, whose aim is to create beauty, style, and ingenious fictions that delight both himself and the audience. Because he is an artist, he can be assumed to be close to a stand-in for the author. Algernon’s epigrammatic observations have a satirical edge, as they puncture the hypocrisies of conventional Victorian morality. For instance, his comment, “More than half of modern culture depends on what one shouldn’t
This presents a deeper, more truthful interpretation of reality through the practice of both synthetic and analytical cubism that reflects an avante garde style. Picassos reinterpretation of reality in is artwork “ Still Life with a Cane Chair” 1912 is a good example of Picassos thoughts and attitudes toward art. We can see evidence of Cubist ideas and theories of art that portray aspects of the modern world whilst showing Picasso’s obsession with being avant garde. In Picasso’s artwork the unique combination of materials used to create the work such as the use of oil painted abstract forms with collaged oil cloth and rope creates both multiplicity and relativity of life. This combination of analytical and synthetic cubism reflects Picasso’s interest in ideas perception and reality in painting.
Degas was best known as an Impressionist and was a notorious member, if not the strongest supporter of the group. He was outspoken about the need for artist to join together and establish a place for themselves as promoters of a new, existing artistic awareness. Degas planned what is known as the first Impressionist exhibition and planned many of the following shows. He originally called himself a compatriots “realists”, which pointed to their interest in drawing inspiration from their own environments and experiences. The term Impressionist was later adopted later around the time of the third Impressionist exhibition, despite Degas’s disapproval to the name.