Speech on Gatsby and Brownings Sonnets

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‘the most interesting aspects of texts written in different times, is seeing the difference in what people value’. This is true of the sonnets from the Portuguese by Elizabeth Barrett Browning and F. Scott Fitzgerald’s’ novella The Great Gatsby, both of which convey their society’s values in different contexts, one being Victorian England and the other the American Jazz Age. The form of the sonnet and the novella allow timeless concerns to be explored that are distinctly different due to their respective eras. Barrett Browning’s suite of sonnets detailing the development of her relationship with Robert Browning through the manipulation of Petrarchan sonnet form, were written during the mid 1840s. This was a time when women were not as well educated as men, and were expected to dedicate their lives to raising children and maintaining their households, while men dominated the commercial aspects of society. Barrett Browning’s use of historical allusions in phrases such as “I thought once how Theocritus had sung…in his antique tongue” along with the adoption of a manipulated Petrarchan sonnet form clearly conveys how she is challenging traditions of her society by valuing intellect and education. She subverts the notion of courtly love by placing a woman in the traditional male position. Within sonnet 14, Barrett Browning addresses her lover, “if thou must love me, let it be for naught except for love’s sake only. She clearly establishes her position and further elaborates: “Do not say ‘I love her for her smile…her look…her way of speaking gently…for these things in themselves, beloved, may be changed or change for thee, and love so wrought, may be unwrought so” Barrett Browning uses this imperative language and listing of conventional attributes that are admired in women to convey her belief that love should be pure and simplistic, not based upon superficial
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