Sonnet 18 Vs Death Not Be Proud

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Common Ground and Opposing Methods: Examining William Shakespeare’s “Sonnet 18” and John Donne’s “Death Not Be Proud” Shakespeare’s "Sonnet 18" and Donne’s "Death Not Be Proud" are two very different tales, despite being bound by ties of genre. Donne’s narrative is a direct rebuke of both death itself and mankind’s inherent views of mortality whereas Shakespeare’s poem is a lively celebration of the beauty of his companion. These two literary works may appear to be miles apart based solely on subject matter however, beyond the obvious, they share certain similarities and both address certain issues while employing differing approaches. While both Shakespeare and Donne both address immortality in their poems and employ literary devices such as metaphors and apostrophe, they often do so in varying contexts or to achieve different objectives. To truly understand how these poems are both similar and different, we must examine both sonnets, specifically their structures as well as the authors’ use of several literary devices. Firstly, both poems employ the same basic structure. They both employ the classic 14 line sonnet form consisting of three quatrains and a couplet. In Sonnet 18 the structure of the poem allows Shakespeare to employ a dominant metaphor or image for each quatrain as he leads to his resolution in the closing couplet. The first quatrain argues that the beloved is gentler than the season of summer, which can be harsh and brief. The second quatrain becomes more specific, introducing the metaphor of the “eye of heaven” (5), which is the sun, to argue that summer can sometimes be imperfect because the sun may shine either too bright or too dim. This quatrain concludes with a colon, signifying a shift in thought in what follows, which we see with the ‘But’ that introduces the third quatrain. Here the speaker extends his images from the season of summer in
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