Sleeping Satyr Essay

385 Words2 Pages
sleeping satyr Rome Italy Ca. 230- 200BCE Marble at 7’1” high 3D and textures Supported by elaborate tree branches hair rock muscles exploration of human sexuality Hellenistic sculpture takes the naturalism of the body's form and expression to level of hyper-realism where the expression of the sculpture's face and body elicit an emotional response. The sculptures are full of pathos and drama and no longer focus on the ideal. Drama and pathos are new factors in Hellenistic sculpture. Figures are crafted and carved to cause an immediate emotional response from the viewer. The style of the sculpting is often exaggerated and details are emphasized to add a new heightened level of motion and pathos. New compositions and states of mind are explored in Hellenistic sculptures including old age, drunkenness, sleep, agony, and despair. Portraiture also becomes popular in this period and figures are no longer idealized, but represented as they are with all their imperfections. Hellenistic sculpture continues the trend of increasing naturalism seen in the stylistic development of Greek art. During this time, the rules of Classical art were pushed and abandoned in favor of new themes, genres, drama, and pathos that never before were explored by Greek artists. Furthermore, the Greek artists added a new level of naturalism to their figures by adding an elasticity to their form and expressions, both facial and physical, to their figures. These figures interact with their audience in a new theatrical manner by eliciting an emotional reaction from their view, this is known as pathos. Instead of, as was favored during the Classical period, reproducing images of the ideal Greek male or female, sculptors began to depict images of the old, tired, sleeping, and drunk—none of which are ideal representations of a man or woman. The Barberini Faun,

More about Sleeping Satyr Essay

Open Document