Shoe Horn Sonata and Napalm Girl

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Throughout the play ‘The Shoe Horn Sonata’ by John Misto the distinctively visual elements are demonstrated through themes and techniques that convey the aspects of war and what participants of war went through. This is also demonstrated through the visual image of ‘Napalm Girl’ by Nick Ut. The ideas of relationships is conveys throughout the play, both through war time experiences and post war time experiences. At the beginning of the play the viewer sees that there is tension between both Bridie and Sheila due to the events they had been through in the prisoner of war (POW) camp. “Sometimes I dragged Sheila and sometimes Sheila dragged me. But we got through it and we would not have been able to do it without each other.” This is a demonstration of visual imagery of the effects was would have had one both Sheila and Bridie’s relationships trying to keep each other alive. Through the use of the Shoe Horn, Sheila and Bridie’s friendship began early within the war. “I would gently tap Sheila on the head so she stayed awake and didn’t drown.” Through the symbolism of the great Shoe Horn that at this stage kept Sheila alive, it becomes evident early on that Bridie only wants the best for Sheila. The Shoe Horn plays an ironic part in the play. This is shown through it keeping Sheila alive in the beginning but to Bridie is what kept her alive. But little did she know that Sheila has not told her the truth. Bridie was made to believe that when she was on her death bed that Sheila swapped the Shoe Horn for some quinine. It becomes apparent to the viewer that this was not the case. Sheila gave herself sexually to the Japanese soldiers which show how she was willing to do anything to save her friend. Through the use of emotive language Sheila expressed that she never married and never had children as the soldier Lipstick Larry still haunts her. Likewise the image ‘Napalm

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