Shakespeare’s Challenge Of “Black” In Othello

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Shakespeare’s Challenge of “Black” in Othello During the seventeenth century, in England, dark-skinned Africans became affiliated with negative connotations associated with the word “black” due to the ideologies the English assigned to dark skin. In Shakespeare’s Othello he does not stray from the negativity associated with the word “black.” Throughout the play, Othello is deemed “a moor,” defined in terms of this seventeenth century racial slur, and any time the word “black” is mentioned it is in association with something evil or, dirty, and invoked in opposition to qualities that are deemed fair or pure. This contrast establishes the idea that anything dark carries these negative qualities, but more importantly dark-skinned people in general maligned as evil. Throughout Othello, Shakespeare continuously reinforces the idea of Othello being “the other, ” ultimately justifying characters’ many abusive and cruel descriptions of him. The stereotypical and overzealous descriptions of Othello create a vivid picture of how Africans were regarded in the seventeenth century. Although Othello is portrayed as an animalistic moor that carries dark qualities due to his complexion, his attitude and actions are never directly affiliated with the negative labels given to him—proving that dark skin does not mean evil qualities. The degrading of Africans was prevalent in the seventeenth century, and lines from Queen Elizabeth’s edict in 1601 reinforce this notion. According to the edict: “Whereas the Queen’s majesty…is highly discontented to understand he great numbers of Negroes and blackamoors which (as she is informed) are carried into this realm…most of them are infidels having no understanding of Christ or his Gospel: hath given a special commandment that she said kind of people shall be with all speed avoided and discharged out of this her majesty’s realms…”

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