He is portrayed much throughout the film as an outsider, most evident with his rejection from his first love Kay, the church, the art market, and finally fellow artist and companion (perhaps his only true companion) Gauguin. To emphasize Van Gogh’s distress with himself and
Running into headlights. Running into the silence of death.” The anaphora of ‘running’ highlights his emotional devastation which shows Tom's paranoia and frustration in the initial stages of the novel. As a result of the crisis, Tom responds adversely to a new start at Coghill. 3. The motif of darkness is frequently used to demonstrate a condition of misery and downhearted: “There aren’t words to say how black and empty pain felt.
Additionally, Joyce uses vast amounts of words to express the “gloomy” and “somber” of narrator’s heart. The story might reflect the author’s own life as a boy when growing up in Dublin. Readers would sense the boy’s life is “blind”, lonely and isolated, however, the appearance of the “brown-clad figure” girl suggests that the boy is capable of seeing happiness. ”Her name was like a summons to my foolish blood,” is an example that the narrator feels ashamed and ridiculed by his earlier inability to communicate with the girl. “Araby” as the story’s name is not only the boy’s destination where he goes against all odds, but it is the place where the cold reality
With these three elements, Richard Wright illustrates the life, hardship and influences of Bigger Thomas, and the down fall of his life in Native Son. Thomas Bigger is a dislikeable and cold character throughout the novel. We recognize that it is not his doing. The fact the Bigger is poor and uneducated; we recognize the circumstances have created his journey towards crime and his controlling bully personality. Bigger is mean to his little sister, cruel to his friends, and uncaring to his girlfriend.
This emphasizes Krote’s isolation from the rest of his surroundings. Harwood also suggests that Krote is like a ‘ghost’ through the use of simile. Krote constantly yearns to be able to blend and belong, to become invisible. However the xenophobic nature of Australian society constantly separates him from others and alienates him, causing him to be known and ‘firelit’. Harwood enlightens readers to the world that a life that is made up of misery and loneliness is almost like life in hell.
But as we go further we see his character change from a protagonist to an antagonist. He is described as a dirty, ragged, black haired child. From the beginning of the novel and most likely from the beginning of his life, he has suffered pain and rejection. When he is brought to Wuthering Heights by Mr. Earnshaw, he is looked upon as a thing rather than a child. Mrs. Earnshaw was ready to fling it out of doors, without having done anything to deserve rejection; Heathcliff is made to feel like an outsider after Mr. Earnshaw’s death and suffers cruel mistreatment by Hindley.
The Catcher in the Rye Response “I felt so lonesome, all of a sudden. I almost wish I was dead.” (Salinger 48) Loneliness and depression is exhibited by Holden, the main character in the book, The Catcher in the Rye by J.D. Salinger. In the Poem “Hanging Fire”, Audre Lorde, the author, focuses on a young person who also suffers from being lonely and depressed and feels many of the same emotions Holden does. There is a common theme between this poem and this book: the loneliness, depression, and neglect teenagers face leads them to feel like “outliers” of society.
The theme of the story is the growth of the boy and the dissatisfaction when he found his belief was so weak in the darkness of the real world. The author uses many negative words to describe the place he lived. In “North Richmond Street, being blind, was a quiet street except hour when the Christian Brothers School set the boys free, An uninhabited house of two stores stood at the blind end.” (1) The word “blind end” implies there is no way out and there is no place for the boy to escape for his belief. Also, in the third paragraph, the word “somber” (10), “the dark muddy lanes behind the houses” (12-13), and “the dark dripping gardens”(14) show the image of the dirty place to the readers. He also shows his attitude at the beginning of the story, “I imagined that I bore my chalice safely through a throng of foes.” (29) He trusts his belief and believes it will keep his soul far away from the dirt.
In the first stanza the persona is “haunted” by the postcard sent to him. The negative connotation suggests that the persona has encountered an uncomfortable experience and disturbs him, and he in unable to get rid of his past. His culture will always be waiting for him to establish a connection with it. The negative connotation of “haunt” is ironic because something so small and unsubstantial has a great impact on the persona. The postcard becomes a symbol of how distant his identity is from his culture.
Salinger’s novel The Catcher in the Rye, the protagonist Holden Caulfield discusses his journey from the inside of an insane asylum. As most he holds a fear. His fear is of seeing the innocence and purity of childhood lost. This fear allows him to realize the painfulness of his growing up, the phoniness of the cruel adult world, and the path in which he wants his life to follow. These realizations develop from his lying and deception, his fear of relationships and intimacy, and his self imposed loneliness.