What other examples of strongly emotional language do you find in the essay? Start with what the question gives you: Prose uses “strongly emotional language” as part of her argument. The associated and evoked emotions are the key here; you must see that any shock (the “putting off” of readers), as well as any other examples of emotionally charged language, is tied to a specific purpose. Notice the
The constant use of "I" puts us right in the narrator’s head and allows us to empathize with her. Ironic Indirection If we took the narrator’s words at face value, we would believe that her husband is kind and loving, that she really is physically ill, and that women really do get trapped in wallpaper. All of this is questionable at best and mostly dead wrong. This is part of the fun of first person narration – you’re never quite sure if the narrator’s perceptions actually reflect what’s going on. The narrator's tone also clues us into her character – her uncertainty and hesitation at the start of the story, and her determination towards the
Emma and clueless – - Use of an omniscient narrator to allow reader to reassess their impressions of the characters. - Occasional intrusive comments by the use of irony (mr knightley’) - Over loud, face paced, non diegetic, over bright colours - Music establishes mood and highlights the emotional states of characters - Mr knightley provides correct evaluation of the characters’ behaviours and personal worth - Emma’s lack of perception and the pain she caused Harriet was the first stage of self-awareness relinquishing by Harriet of mr elton’s memorabilia and her confession that she loves mr knightley forced emma to realise she loved him - Emma needs to accept her personal faults and demonstrate social responsibility through her actions,
The reader has now observed what traits and behavior is being conveyed based on the conversations from Hester and Chillingworth of said chapter. We have now learned through Hawthorne, and the dialogue he set for Chapter IV, is that about Hester’s past, for the most part; is unknown. She is a strong-willed and haughty woman whose actions are done with passion (as seen when she was standing in the scaffold in the beginning of the story). However, she seems to get intimidated by Chillingworth during their conversation. Her sudden change of personality gives the reader an insight on how intimidating Chillingworth really is to Hester, and possibly others.
While then, Liesel writes the story of her life, containing both tragedy and beauty, at a fevered pace. Liesel has come to the realization that words can cause both violence and comfort, and she strives to make them "right" by combating propaganda with writing that emanates from love. The reason I chose this quote to be a part of one of my passages is because it gives a great deal of explanation of how
By Curley’s wife talking to a mentally unstable person Lennie she seemed to take advantage of him by flirting a little bit with him. Lennie seems a little questionable by all that she was doing but he was going along with it until she says, “ I get lonely, you can talk to people but I can’t talk to nobody but curly” (Steinbeck, 87). This quote shows loneliness because even Lennie is having a hard time to communicate with Curley’s wife because she doesn’t seem confortable with him. As they keep talking Curley’s wife lets out all that she had hurting her inside to Lennie, she tells him everything because her husband never wanted to listen to her which made her loos her companionship. As Lennie keeps talking to her in his mind he feels that she is very confused into her self by this entire happening she gets herself into trouble.
Throughout Bronte’s “Jane Eyre,” the superstitious presence surrounding Jane represents her transformation from an insecure young girl to a strong, independent woman. Bronte showed us her development in each stage of her life through her use of superstition displayed in the locations where she lived. Although Jane lives most of her life in the adventurous, unknown world, she is given the choice to do what is expected and live a life of honor and plainness; however, she eventually realized that she could not live a life so plain because she couldn’t live without the adventure. At the beginning of the novel, the superstitious presence in the red room shows Jane’s insecurity about herself; the room itself gives a description of her personality through the room’s appearance. As she looks around the room, she recalls that “it was in this chamber he,” her uncle, “breathed his last” (19).
Different events throughout the play lead these relationships to change, and lead both Romeo and Juliet to distrust their parental figures. For example when the Nurse, whom Juliet trusts deeply, refers to Romeo as a “dishclout” despite knowing that he is Juliet’s husband, this then leads Juliet to distrust the Nurse. When Capulet’s “fingers itch” after Juliet has disobeyed him, this could also be seen as failure on Capulet’s part to be a good parent. Some may argue that these events are examples of how Romeo and Juliet are failed by their parents and parental figures. In Act 3 scene 5 it could be argued that Juliet is failed by both her parents.
The gesture also inspires Edna to speak openly and freely and by doing so Edna feels intoxicated as if she tasted “the first breath of freedom” [VII Chopin]. Madame Ratignolle’s sympathy gives Edna the courage to say what is on her mind without censoring, an exercise that helps her outward existence and inward life to correspond. To Edna, Madame Ratignolle is an embodiment of the mother woman, and through her presence Edna realizes that she is not like her, and that she does not want to devote herself to her husband and children, she would rather have some space and freedom for herself to pursue her interests. Thus Edna realizes that she is not and does not want to be a mother woman. This realization helps Edna further understand herself and she gradually starts neglecting her marital obligations in action rather than only questioning them in her head.
How central is self-control to Jane Eyre? Following a brief discussion of the importance of self-control in Victorian Women, the focus of this essay will be to argue that Jane utilises self-control to restrain her passionate nature, exhibiting behaviour that pleases those she reveres during her pursuit for a family. This is achieved with the characters she encounters and the control they exert over her. Victorian women were considered inferior to men, neither viewed as being passionate or sexual beings. During a time of patriarchal society entrenched in the catholic faith, the main ‘genteel’ occupation for an unmarried middle-class woman available was that of a governess.