Season of Migration to the North

281 Words2 Pages
From a Western perspective, power cannot be separated from the idea or expression of sex. Sex implies control, the boundaries of which are set by societies through time in various historical, economic, and cultural contexts. Throughout the development of European civilization, the West has continually sought to define the Orient, the East, all "primitive" lands outside Europe, as its erotic Other. An inherently sexist dynamic is manufactured: the rational, masculine West pursues and attempts to control the sensual, feminine East. Edward Said points toward this historically and culturally created tension as evidence of Orientalism. In Orientalism, Said describes sex and sexual imagery as a tool for colonialism. The "Orient" is infused with a sexual identity which justifies and aids in Western domination. Ironically, these same preconceived notions can be used to dominate and control the West. In his novel, Season of Migration to the North, Tayeb Salih explores how this manufactured idea of sex is undercut or underscored by examining the lives of those who are colonized. Sexually charged and fatally destructive clashes between men and women are played out in an African village and a European city. By linking the fates of two Western educated colonial and post-colonial subjects, Salih offers the reader both insight into and critique of the power of sex in both contexts. In Michelle Cliff's novel No Telephone to Heaven, the West's ability to engender the East is stripped of all its supposedly benevolent intentions. The power which motivates the need for an erotic Other is essentially dogmatic in nature. Like Salih, Cliff follows two characters, their discoveries and reactions to sex and sexual imagery, in order to qualify or comment upon the
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