Scarface 1932 Analysis

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Elise Vertefeuille RTVF10 April 1, 2012 Esther Duran Movie Analysis #2 Scarface: The Shame of the Nation One of the worlds most classic and artistic movies is none other than “Scarface: The Shame of the Nation” directed by Howard Hawks and Richard Rosson, and written by Ben Hecht. “The controversial film was in the planning stages in 1930 - to be produced by versatile co-producer/director Howard Hawks and co-producer Howard Hughes” (Filmsite). However released in 1932 this film is set in Chicago in the 1930’s. With phenomenal actors such as Paul Muni, Karen Morely, Ann Dvorak, and Boris Karloff, it is hard to find this movie anything but engaging. In 1933, “Scarface” won the U.S. National Film Registry by the Library of Congress, and was nominated in 1932 for Best Picture by the National Board of Review. The main aspect of this films captivating storyline is about the predictable but tragic rise and demise of a notorious gangster. Tony Camonte becomes Johnny Lovos’s second in command for the Southside gang. However as time passes Tony beings to think more independently, and is not afraid of anyone or anything, especially not in treading on the Northside, run by an Irish gang and led by a man named O'Hara. Tony's actions put a strain between him and Johnny, to the point where the two of them know that they can't exist with the other, in the end Tony kills Johnny. The film caused a lot of controversy when it was first released due to its depiction of the world of gangsterism, and was banned or deeply censored in many states. “A story of relentless hunger for power and wealth, carried out with violence” (Cinematrio). With various themes and motifs, unforgettable editing, and an important deeper message, “Scarface” is truly one of the most memorable and influential films of all times. The mise-en-scene in “Scarface” makes for an engaging film. The setting

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