Sandro Botticelli, the Birth of Venus

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The Birth of Venus painted by Sandro Botticelli from 1484-1486, depicts the birth of Venus into the world. It is one of the most cherished artworks of the Renaissance period. The painting shows Venus the goddess of love and beauty coming out of the sea as if she was coming into the human world as a beautiful woman. She is nude in the painting covering one of her breasts with her right hand, her left hand holding her long blonde hair, which covers her pubic region. The nudity of Venus in this painting shows not the humility of the naked body but the exotericism of the female body. There are three other figures in the painting, two intertwined figures on the left side and a woman on the right standing on the shoreline. The woman on the shoreline is someone who is devoted to the goddess ready for her rebirth with a beautiful robe. The figures on the left are winged figures female and male their hair being blown back showing a sense of movement. They are blowing wind out of their mouths bringing a breeze to Venus that will move her from her shell to shores of land showing her birth into the human world. The female figure has her legs wrapped around the male figure in a way that seems almost impossible in real life. Botticelli's Venus was the first large-scale canvas created in Renaissance Florence. He prepared his own tempera pigments. He covered them with a layer of pure egg white, in a process unusual for his time. His painting resembles a fresco in its freshness and brightness. Birth of Venus is dependent on the slenderness of Botticelli's line. The proportions show their greatest exaggeration, yet the long neck and torrent of hair help to create the mystifying figure. Botticelli uses very linear lines in the birth of Venus all of the figures are on same plan going from one end to the other giving the painting a very linear feel. The lines of figures show movement

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