What I’m trying to say is, bees are misunderstood because everyone thinks that bees are out to get them, when really they are just trying to help the planet. Bees don’t just want to sting you. Remember, when a bees stings you, it loses it stinger and dies. Think about it, why would a bee want to die? Bees only want to sing you when you try to touch them, annoy them, or get too close to their hive (Cole 10).
He had “rather be a toad and live upon the vapor of a dungeon than keep a corner in the thing I love for other’s uses.”(III, iii, 287) Othello evidently portrays love in this play. Later, in the play, Othello starts to hate Desdemona and won’t give credence to a word she says. When Iago’s scheme to split up Desdemona and Othello begins to work, Othello’s love for her gradually diminishes. Desdemona’s “napkin is too little”, for Othello. (III,iii,303) This quote symbolizes Desdemona’s love for Othello.
(Macbeth I, v, 26) Lady Macbeth made Macbeth feel bad about himself, by lowering his manhood and bravery. Lady Macbeth deceives everyone so well that people were scared to tell her about Duncan’s death, not thinking she can handle it. “Look like an innocent flower /but be the serpent under it” (Macbeth I, IV, 65-66) this means to look innocent and pure but to be evil on the inside. At first Lady Macbeth is able to keep her cool and not think anything of the deed. Macbeth on the other hand cannot sleep and starts to see things.
Initially, McMurphy attempted to go against the norm by refusing to shower and have his temperature checked. However, his attempts proved feeble against Ratched because she ultimately had control and his solo efforts could not overcome Ratched. Additionally, Bromden stated “She’ll go on winning just like the Combine, because she has all the power of the Combine behind her.”(133). The reason in this statement is that the power of an individual is subordinate to the power of the society. Meaning McMurphy was nearly an ant and Nurse Ratched a child with a magnifying-glass.
Lady Macbeth doubts Macbeth’s ambition which ultimately leads her to manipulate him into assassinating King Duncan. She exclaims her doubt in Macbeth’s ambition due to his morals in saying they “. . . are too full of the milk of human kindness/ To catch the nearest way.” [1.5.13] Her masculinity overshadows Macbeth’s when she asserts her power without contemplation and plans King Duncan’s murder.
He treats her with little regard and believes that she is a “breeder of maggot” This is also evident when Hamlet says to her, “ I say we will have no more marriages. Those that are married already, all but one, shall live; the rest shall keep as they are. To a nunnery go” (3.1.150) Here Hamlet almost commands Ophelia to go to a nunnery, suggesting that she, as a sexually corrupt female, needs improvement. Therefore, Shakespeare’s use of language, illustrated by words adopted by male characters, not only identitifies how women are marginalised, but their ill-sentiments towards
The effective noun ‘bees’ suggests Guy dislikes them because humans, as a group, are not particularly fond of ‘bees’. The verb ‘humming’ suggests Mildred is content and happy and has no care to talk to Montag and as they cannot simply talk to each other it highlights another fault. Guy is noticing these problems and realises that he and Mildred do not love each other as they should. Guy finds that this is common throughout his community and that it isn’t right, so he begins to rebel against it. Initial signs of Montag’s rebellion continue to occur throughout the novel.
(1.3.71)” Banquo also doubts the intension of the witches, he believes that evil always tells one part of the truth in order to earn one’s trust and lead him to destruction. Banquo warns Macbeth, ”But ‘tis strange./And oftentimes, to win us to our harm,/ the instruments of darkness tell us truths,/win us with honest trifles, to betray’s/In deepest consequence. (1.3.124-128)” On the other hand, Macbeth ignored his friends warning and believes in what the witches say. He is over whelmed by his ambition to be king, he said to himself,”Glamis, and the thane of Cawfor!/The greatest is behind. (1.3.118-119).””Two truths are told/,as happy prologues to the swelling act/of the imperial theme.
Before crossing the male figure, she could acknowledge that she was not Mary-Ann, as the White Rabbit accused her of being, and she decidedly prevented any animal from finding her in the house; she did not like to feel degraded. However, around the caterpillar, she stutters, completely doubts who she is, and tries to prove the legitimacy of her feelings by telling him that he will feel the same way (weird and doubtful) when he turns into a chrysalis (the transition between being a larva and a butterfly). She is not used to feeling drawn to men in a sexual way and does not know how to control her feelings of discomfort, much less how to act around them, thus even reciting a poem
The audience is caused to fear Othello's transformation into the ''green-eyed'' monster, then pity him when he claims his title in blood. The most significant flaw that Othello possesses is jealousy, however, he was not moved to it immediately. “She has deceived her father and may thee.” Iago says to him in Act 1, Scene 3. This was an attempt to convince Othello that Desdemona has or could commit adultery since she has already proved to be capable of going against her father's will with their marriage. However, Othello informs Iago that he is not a jealous man.