All of these various styles responded to the industrialization of Europe in their own unique fashions, and resulted in a strange conglomeration of art, ideals, and themes. The earliest and perhaps greatest response to industrialization was the era or Romanticism. Disgusted by the squalor and pollution produced by industry, many artists and writers turned to Romanticism, glorifying nature over civilized society and emotion over reason. Romanticism prized natural beauty and despised the materialistic ideals of the Enlightenment and Industrial Revolution. Romantic art tended to revolve around nature or some heroic deed, ignoring or tuning away from industry and logic, and when it did not, it reviled it.
Romanticism DBQ Romanticism was a late 18th century movement that was a reaction against what was considered the ‘excessive rationality and scientific narrowness’ of the Enlightenment era. Romantics sought to conserve the idea and customs held in the Middle Ages. They viewed the middle ages as a representation of the social stability and religious reverence that was lacking from their own era. Romantics held the mystery of nature, the glorification of history, and the emotion of religion, in high regard. These views were formed in retaliation the the Enlightenment Era and defined the characteristics of Romanticism.
Moreau was though of by many as the saviour of the grand at a time when realism had taken over the paintings at the Salon. Moreau fought for preservation of the grand part style of painting. He was seen as a painter with the potential of countering both the deteriorating art of the Salon painting and the new deluge of realism. The austere in Moreau’s painting of Oedipus and the Sphinx is resembles the epic austerity of the grand art. The painting can be said to be conceived from the one of the best compositions of Jean-Auguste-Dominique Ingres.
During the 19th century, every aspect of British life was transformed by industrial, social and cultural development. The French Revolution inspired reformers in Britain as much as it frightened the British Crown and landowning classes. Nonetheless, the British government, who was ru8n by the Tories at the time, seemed impervious to revolutionary change. Anti-government cartoons in the 1790s often included the most scabrous, even treasonable, representations of King George III. All threats of revolution were taken seriously.
Often argued by historians like D.M.G Sutherland that Napoleon had initially intended to maintain the principles of revolution, however due to external factors i.e. the Napoleonic wars he was forced to go against the principles and change France into a more dictatorial state. Others such as Georges Lefebvre state Napoleon was ‘...a pupil of the philosophies, he detested feudalism, civil inequality and religious intolerance’ thus arguing that Bonaparte did nothing but maintain the revolutionary principles. It is argued that Napoleon generally maintained the revolutionary principles by resisting external threats, reforming and unifying France and transforming the French government into a meritocracy. But betrayed the revolution by reintroducing nobility terms that had been abolished
Ryan Lerner The French Revolution is widely regarded as one of the most bizarre times in the history of the world. One of the most bizarre occurrences from this movement came with the adoption of a new French calendar. With the French movement, the phrase, “liberty, equality, and fraternity” became increasingly important. However, the adoption of the revolutionary calendar actually undermined all three of these values. While this calendar may have seemed very logical, promoting religious and social reform, it actually did much more harm than good.
Grande Odalisque was painted during the overlapping period of the culmination of Neoclassicism and the beginning of Romanticism and was described as Ingres’ “break from Neoclassicism”, in which he shifted toward the style of exotic Romanticism. Drawing harsh criticism from his contemporaries and critics, Grande Odalisque, combined Classical form with Romantic themes, and was seen as a rebellion against the contemporary style. Also criticized were the unnatural curves and lines of the
Whereas the French wanted a revolution to be freed from the monarchs that were implementing things in France. Due to the common reasons why the French and Americans were persisting into having a revolution made it seem like these revolutions were very similar. Unfortunately, there is some indifference towards both of the revolutions.
The universe is in a normal state and reveals what is right. Ethics is built into human nature. VII. What is the meaning of human history? Human history is based on the autonomy of human reason; none of them appeal to perspectives derived from revelation.
Explain, citing specific examples. The legacies and the powerful influence of the French Revolution can be traced back. There were strong emotions that still lead back. For some people, the French Revolution gave a freedom of hope. The 19th century nationalists and revolutionaries went back to the year of 1789.