The play “Romeo and Juliet,” by William Shakespeare, has many different ideas. The main idea, however, is love. A question that keeps coming to mind is how much physical attraction influences love at first sight. This is demonstrated in the play by Romeo’s immediate love for Juliet, how he has “ne’er saw true beauty till this night” (act i sc. v line 60).
However, Shakespeare presents Benedick’s change in a more positive and light-hearted manner, whilst Macbeth’s change revolves around negativity and wrong-doing as the approach to each individual genre is different, where comedies are humorous and happy, whilst tragedies are gloomy and grief-stricken. INTRO: The opening scene of the play, ‘Much Ado About Nothing’, is significant as Shakespeare introduces the genre of the play as a romantic comedy through the comic names given to Benedick and Beatrice by each other. Beatrice nicknames Benedick as “Signor Mountanto”, which uses sexual innuendo expressing their love hate relationship, created by the definition of the word ‘montanto’ (technical term for an upward thrust in fencing). This insulting, but hilarious comment would have only been understood by the Shakespearean audience. Opposing this, Benedick personifies disdain in the form of Beatrice, by calling her “Lady Disdain”, suggesting that she is in fact, the epitome of disdain or contempt.
However, they value different means of love although their love maybe as much as each other. In the balcony scene of Romeo and Juliet, the line of "are you going to leave me so unsatisfied?" and "I would be satisfied if we made each other promises of love" said Romeo. However, the persona in Sonnet 18, he written that "once you 're captured in my eternal verses, as long as men are alive and have eyes with which to see, this poem will live and keep you alive ." These show differences as Romeo value more at immediate promises, and at the opposite, persona in Sonnet 18values more in eternal love.
The romantic love of Romeo and Juliet has become very popular and is the ideal example of star-crossed lovers. The love of family honor is what keeps these lovers apart: the feud between the Capulets and Montagues. The purpose of this essay is to provide examples of these two types of love, which will then be compared and contrasted. People should understand Romeo and Juliet, and further study its themes to build up a successful literature pathway. Romantic love is the most basic type, where two people have a mutual connection of love towards each other.
Of course MAAN follows Shakespeare’s traditional comedy structure but modern critics have their own agenda that a comedy, being such a complex genre, should conform to. Since the time of the ancient Greeks critics have struggled to define it, Plato described it as a series of events you would ‘blush to practice yourself’. Susan Snyder who writes for the Cambridge Companion to Shakespeare Company, states that - ‘Comedy involves men of middling estate, its perils are small scale, its outcomes peaceful’. This is an excellent summary for the majority of Shakespeare’s plays; however it is not necessarily accurate in relation to MAAN. It is true to say that a comedy involves ‘men of a middling estate’, in MAAN the protagonists share the company of the Prince Don Pedro, and are socially superior to the watchmen such as Dogberry and Verges.
Romeo’s love for Rosaline is shallow and nobody really believes that it will last. Similarly Paris’ love for Juliet is borne out of tradition, not passion. He has identified her good candidate for a wife and approaches her father to arrange the marriage. Although this was the tradition at the time, it also says something about Paris’ staid attitude towards love. Our classic idea of romantic love is embodied in Romeo and Juliet.
The extended use of rhyming couplets has a comic effect in this poem as the fast paced rhymes read like a collection of little jokes with fast punch lines. This shows that the narrator is keen to use rhyming couplets as a method for creating humour, in the hope that this humour will persuade his love to consent to sexual intercourse. Similarly, Mimi Khalvati's poem 'Ghazal' uses rhyme, but here the poetic device is employed for a different purpose. In this poem, the last but one words in each stanza rhyme with each other: 'woo/cue', 'tattoo/subdue' and so on. Whereas the rhyme is used in 'To His Coy Mistress' to create a comic edged persuasion, the rhyme found in Ghazal is linked to the poetic form.
Love and Devotion in Cyrano de Bergerac and The Awakening Cyrano de Bergerac by Edmond Rostand was a play about adult intimacy but not sex, where The Awakening by Kate Chopin was a novel about rebelling against love, and running out on your family. While Cyrano and Roxanne may not have had “true” love Cyrano devoted his life to her, whereas Edna simply had petty infatuation that hopped from subject to subject. True intimacy is much better than superficial, love-at-first-sight, pretty-face infatuation, because with age, that love disappears along with that pretty young face. Infatuation is a volatile elixir. Just as physical beauty is a temporary attribute.
The theme of love and romance is approached through the relationships of two distinctly contrasting couples in “Much Ado About Nothing”. The unexpected relationship of Beatrice and Benedick juxtaposes the more idealised love between Hero and Claudio. Beatrice, Benedick, Hero and Claudio are the immediate protagonists of the play-a story of how deception interrupts or spurs love between two very different couples. “Young love is a flame; very pretty, often very hot and fierce but still only light and flickering. The love of the older and disciplined heart is as coals, deep-burning, unquenchable”, a quotation by Henry Ward Beecher, an American preacher.
This rise of Napoleon also triggered lavish spending, ultimately causing the French economy to suffer. “ (page 1) “The England was largely unaffected by the French Wars during the 19th century. However, much of the area ruled by the French allies in Europe suffered in the early part of the century because of Napoleon’s zeal to take over the world, England enjoyed the benefits of the Industrial Revolution, which brought prosperity, particularly from the textile industry. These technical revolution brought along with it new textile production. methods and influenced the development of European costume throughout the continent, extending to the Americas.” (page 2) “Inspired by the First Empire and coinciding with a narrower fashion period referred to as the Director that ranged from 1790 to 1800, the Empire era lasted from 1790 to 1820.