Religious Connotations in "Waiting for Godot"

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Samuel Beckett’s Waiting for Godot is commonly interpreted within the context of the Theatre of the Absurd, Existentialist literature, or Christian allegory. This essay analyses an approach to the Christian Elements in Waiting for Godot, including the biblical imageries and allegories. The play is full of references to Christianity. There are also direct allusions to crucifixion and to Jesus Christ. Though the tree can be universally symbolic, it is easy to see the solitary tree as the representation of the Christian cross or indeed the tree of life. The very title of the play has the word ‘Godot’ which bears resemblance to God, and hence it becomes inevitable to regard the play as having a bearing on Christianity. A prominent biblical reference in Samuel Beckett's play is the crucifixion myth or the story of two thieves. The opening conversation between Vladimir and Estragon provides the initial proof that the "Godot=God" hypothesis can be an accurate one. Vladimir’s dialogue “One of the thieves was saved” introduces one of the central tenets of Christianity that human beings are essentially sinful and have to be saved. Hence, Christ is also referred to as the ‘Saviour’. The souls have to wait for the judgement hour before God passes verdict on all the dead. Hence Vladimir talks about the thief who was saved by Jesus Christ when they were both being crucified. As the play points out, of the four evangelists who witnessed the crucifixion only one speaks of the saving of one of the two thieves who were crucified along with Jesus Christ, whereas the other three only make passing references to the thieves. As he attempts to enlighten his friend on the message of the Bible, Vladimir provides evidence of Beckett's views on religion. In context to Waiting for Godot, this biblical allusion leaves an intangible hope based on a faith that can overcome every obstacle and

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