The narrator explains in the first line that he “may cease to be” and rushes to include he is afraid to die “before [his] pen has glean’d [his] teeming brain”. It almost seems as though Keats was unable to fit his ideas neatly into spaced lines, with punctuation marks because he is afraid to lose valuable time while he is still living. In Longfellow’s poem, however, pauses, punctuation and composition of multiple sentences produce a relaxed tone and overall feel of the poem. The poem is filled with caesuras that decrease the entire speed of the poem. “Half of my life is gone,” the comma allows for a pause and a deep breath to continue on to say “and I have let the years slip from me”.
While he is not seen as a saint within the poem (he remarks in a sarcastic matter to Plath in the poem), he positions the reader to empathise with him, painting the image that he is the placid one in the relationship, and the one who encourages her to embark on her creative pursuits “Get that shoulder under your stanzas/ And we’ll be away.”. The repeated use of the pronoun “your” creates an accusatory tone, suggesting that they were living Plath’s life, rather than their life. The poem also hints that Plath’s father was a monster. He describes her father as a goblin that influenced and controlled the mind of Plath’s. He even goes one step further
In this stanza he uses the words flame and name, which goes along with the irregular rhyme scheme that happens throughout the poem. In the last stanza, the speaker states “Don’t believe me, please if I say/ that was just my butterfingered way, at thirteen, of asking you if you would marry me.” This part of the poem would elicit skeptical emotions from the reader, as they would not know whether to believe if the speaker is legitimately remorseful. The poet also uses alliteration in that stanza when he says “marry me”, and from its demeanour, it evokes forgiveness from the reader because he wants to let the reader know that he was immature in expressing his love. The alliteration provides
William Shakespeare establishes Benedick’s character by using diction and imagery to show his changed viewpoint on marriage. Benedick is strongly opinionated and rarely ever let’s his guard down when it comes to feelings or love. After he overhears that Beatrice is in love with him, he ponders what to do. The characterization is established through diction, “And wise, but for loving me; by my troth it is not addition to her wit, nor no great argument of her folly, for I will be horribly in love with her!” (II.3.235-237). He is saying that is might not be wise for loving him, but he swears it won’t be stupid for he is going to be “horribly” in love with her.
2002 AP Question 3 Moral ambiguity often makes it difficult for the reader to delineate good from bad. Mr. Kurtz, the mystified star from Joseph Conrad’s novella Heart of Darkness, conflicts between his dark, corrupt mind and his inner benevolence. His speech is of astonishing elegance and beauty, yet his thoughts are of a diseased mind. Kurtz is a man filled with charisma and ideals, but there’s definitely a profound emptiness in his character. He lacks balance, and has clearly declined into madness as a result of his power.
This tale seems too bizarre and melodramatic which creates a fictional sense, and so, contradicts the narrator‘s main point. The opening story of the unanswered letter is able to catch the reader off guard when it takes an unsuspected turn in the end. In the beginning, I predicted that the heartfelt letter from Rat Kiley was going to sway Curt Lemon’s sister into his arms. The nightmarish ending gives the reader a bitter hearty taste of what a true war story is all about. Also, the smooth transition between hilarity and sorrow in his letter was heartbreaking, which I thought could be anything but
His loneliness is a more tangible expression of his alienation problem. Loneliness is what the novel revolves around, because the novel is mostly Holden going from one place to another, doing one thing to the next to find the desired friendship and love. He constantly recoils from introspection, which was the reason why he could not figure out why he was behaving the way he was. But introspection hit home with him after he met Phoebe again when she alleges that Holden “[doesn’t] don’t like anything that’s happening” (Salinger 169). This was when Holden realized his cynicism and negative outlook on life when he struggled to think of anything or anyone that he actually liked.
Throughout the poem Prufrock expresses his ideas about dull, uneventful, and mediocre life. He wants to take a chance and make progress but he is too scared to make a fool of himself. His anxieties and obsession with making a fool of himself have isolated him from the world leaving him to feel disillusional. For example Prufrock says “And indeed there will be time to wonder, “Do I dare?” and ,”Do I dare?” time turn back and descend the
Philip Larkin`s Pessimism in “This be the Verse” and “Fiction and the Reading Public” When I think about poetry, I often get a feeling of depression and loneliness. It is not because I do not like poetry, but it seems that a lot of poems talk about a lost love or a doomed society. I rarely read a poem that contains an optimistic ending or has a positive message. Philip Larkin takes the idea of pessimism to another level. Larkin`s pessimistic view of the world is so deep, that it is almost impossible to find a single positive line in his dreary poems.
CHARACTERS IN R&J: ROMEO: Unrequited love for Rosaline -Melodramatic ‘Tut I have lost myself, I am not here. I am not Romeo, he’s some other where.’ He exaggerates how he’s not himself because he’s lost himself to his unrequited love for Rosaline. - Self-indulgent. Although Romeo knew there had been a fray before he arrived, Romeo chose to be ignorant & lament about his unrequited love for Rosaline -Depressed, Miserable, Troubled ‘What sadness lengthens Romeo’s hours?’ Benvolio realises Romeo’s troubled & tries to come up with a conversation & give Romeo a chance to confide in him. -Superficial.