Hannah begs you to keep this confidential and not tell anyone especially her daughter, who she sees regularly, as her daughter will be very angry. Bi) How would you explain the term ‘confidentiality’ to Hannah? I would explain to Hannah that I do respect her wish to keep this information ‘confidential’, however due to the nature of the information she has divulged, I would have to inform management as she is putting herself at risk by throwing her medication away. This is not following her careplans and the medication has been prescribed to her for a reason and due to her regularly becoming ‘confused’ we cannot be sure that she is fully aware on what the medication is for. I would explain that we can keep certain things confidential such as opinions and beliefs but if information effects their received care or personal wellbeing/health then I have a duty of care to act upon this but only on a ‘needs to know’ basis.
When she goes to the leader of the group Ann Putnam to ask about joining the group she is rejected. She wants to go back to ask again but she does not want to act desperate and be made fun of. While delivering goods to the poor of Salem for her parents shop she visits a reverend’s slave, Tituba. She visits Tituba to learn more about what the other girls have been discussing. She asks Tituba if she knows what the girls have been up to and all she says is that the girls have been doing devil worshiping.
In Jardi Tancat, Nacho Duato has used the element of shape in his work to show an ‘enclosed garden’. For example, Duato bring Spanish feel to the work of Jardi Tancat, the arms and hands in particular have become very expressive and Duato seems to ‘pick up the mood of an enclosed garden and appreciates that short fluent movements can say it all’. With the concept of arm and hand formations throughout the work, in one section, A day in the field, is in a cannon and the movement is the three woman are hunched over with one are bent on their backs and the other is extended with a cupped hand, while they are pivoting across the fields. This is the woman harvesting food. This type of movements occurs quite a bit throughout this section of the dance.
Demeter herself starts in Olympus but figuratively her home is with her daughter or, more specifically, when her daughter is dependent on her. The Call occurs when Hades kidnaps Persephone. With this Demeter is stripped of being with her daughter and she is called to transform from being a mother dependent on her child. With Demeter in distress, crops begin to wither. As the goddess of the harvest Demeter needs to remain on Olympus and tend to her job but her worry over her daughter keeps her from it.
Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” is a story about a young girl named Connie who starts out being superficial and selfish and ends up in a horrifying situation she must accept unless she wants her family to be in the same horrifying situation. It is a terrible decision for a teenage girl to make, but she does, and she leaves with the mysterious Arnold Friend. There are many different explanations and theories as to why she left with Arnold, what happened when he was at her house, and who Arnold Friend truly was. Joyce Carol Oates left “Where Are You Going, Where Have You Been?” with countless ideas about countless parts of the story. There are very heavy biblical theories about the nature of this story, and many thoughts on Connie’s teenage promiscuity and her assumed rape at the end of the story.
An Inconvenient Truth Margaret Atwood’s The Handmaid’s Tale tells a story of mystery, passion, and lies. The novel is about a handmaid in the Republic of Gilead named Offred (“Of Fred”). The Republic is the totalitarian remains of the United States after the president and members of Congress were assassinated by the architects of Gilead to ultimately gain complete control. Offred and the other handmaids were once regular women leading regular lives, that is, until Gilead. In the time of Gilead, the women were taken from their homes where they were brainwashed by speeches from their “Aunts” who argued that “such a social order ultimately offers the women more respect and safety then the old, pre-Gilead society offered them” (Sparknotes).
Trauma begins when Maria hears everything from the hole and the torturing and screaming of her mother. Maria being 14 wants to go and help her mother but doesn’t cause of the safety of Alberto. Maria makes sure that Alberto does not hear anything and covers his ears. After all the screaming from Maria’s mother she hears gun shots and then silence. Knowing the horror she was going to find when she came out of the hole she tears a piece of her dress that her mother made for her and blindfolds
Rosaleen believes that Lily should just leave the topic alone and that she may discover something she just does not want to know. Rosaleen fears that Lily will be more hurt by her discoveries in finding her past that happy and relieved, “ ‘Maybe she was. I can’t say. I just know some things are better left alone.’ ‘What do you mean? That I shouldn’t find out what I can about my own mother?’ ‘What if—’ She paused and rubbed the back of her neck, ‘What if you find out something you don’t wanna know?’ " (Kidd, 100) Another controversial view studied by Emanuel states that Lily must confront the hardship of her mother’s death head on and that it may have a
Connie had a psychological dream vision and imagined all the events that had taken place. The dream vision is as psychological way of leaving her adolecents behind, and being thrown into the realization of the dangers of the real world. Connie, in the short story, is an adolecent in the midsts of rebellion trying to prove to she is no longer a girl, but instead a young, independent woman. Connie is always being compared to her older, placid sister, obedeient sister, June by her mother. Connie, desperate to seperate herself from her sister June, does her best to make herself appear older and more mature than she really is.
Unfortunately Judge Turpin makes it almost impossible for Anthony to save his beauty. The chronological plotlines occasionally intersect, and when they do, Anthony is unaware of the actual situation. The beauty he was trying to rescue is Sweeney Todd’s daughter. When the plotlines first intersect they come up with an idea that seems like it’ll appease the desires of them both. Anthony’s desire was to rescue Joanna, and take her back to the barber shop which also helps Sweeney Todd in his desire of freeing his daughter, and murdering anyone involved in destroying his family’s life.