Slightly overgrown, weeds peak through the cracks and make an obvious division of the concrete into six concrete panels. The grass of the Grange is slightly dry. There are a few dirt patches and rocky places in the modest landscape. Two large, forest green bushes overtake the two main windows, darkening the house and hiding some of the details in a quick glance. A large tree provides shade over the house and is about as tall as the peak of the roof.
Yet, they show the dark side of nature, and how daunting it may be. In both the paintings, the colors to the left are a lot livelier and approachable, while the right shows the dark and depth of the
Brian noticed that “there were tall pines, the kind with no limbs until very close to the top, with a gentle breeze sighing in them, but not too much low brush” and two hundred yards up there seemed to be a belt of thick, lower brush starting—about ten or twelve feet high—and that formed a wall he could not see through. It seemed to go on around the lake, thick and lushly green.” Other than studying the place they were going to travel they also had concerns, worry, and fear during their conflict with nature. In the beginning of Clay’s journey when “he sat down and looked at the treacherous snow-covered slope” he thought to himself that “It was manifestly impossible for him to make it with a whole body, and he did not wish to arrive at the bottom shattered like the pine tree.” Brian’s worries during his journey were that “He didn't want to be anywhere in the woods when it came to be dark. And he didn't want to get lost.” The differences between the stories are how the characters react with nature which depends on the character’s personality and background and the historical period in which the conflict takes place. Clay lives in the 1800s and Brian lives in the twentieth century.
Through this sculpture, Goldsworthy presents a unique confrontation between the wilderness and the city – snowballs made in the Scottish winter brought to the city of London during the summertime. "Iris Blades" (1987) is an artwork made of iris blades pinned together with thorns, with five sections filled with rowan berries. This is a good example of how the transient nature of Goldsworthy’s works challenges the notion of the art object as permanent; the artwork was created on a lake surface, where Goldsworthy had to face competition from ducks and fish attempting to nibble the artwork. Goldsworthy simply rearranged the natural elements in subtle ways without the need for utensils, yet the effect was startling. The artwork also
Maria Santos Professor Ucci English 101-College Writing October 17, 2012 Christina’s World Andrew Wyeth’s picture “Christina’s World” is a beautiful landscape of tall grass among a gray gloomy sky. The painting reveals a cloudy day and the author’s use of gray colors and shadows is extraordinary. The picture depicts a house in the distance, in the middle of an open field with its front facing the viewer, it is gray in color and it seems to be an older rural style home with a wire fence surrounding the front it. I would describe it as an older colonial style house. In the picture Wyeth painted every blade of grass, the grass closer to the home seems to be mowed and more yellow in color, while the grass further away from the home is taller and greener.
In this poem, Oliver uses a concrete diction. In lines 4-8 she says “the nugget of dense sap, branching vines, the dark burred faintly belching bogs.” She describes the swamps’ physical attraction and conditions of the swamp. She also uses abstract diction. While Oliver describes the swamp, she also describes the struggles while not even mentioning any hardships. The implied feeling of the speaker as they travel through the swamp is a gloomy feeling.
The switch for the utility door to access the armory is found on the 3rd floor that can only be reached by going through the Depot Training Wing and Depot Offices. | | Bobblehead - Sneak | Yao guai tunnels: Yao guai den, on top of a metal box north east of the big pool of water. | | Bobblehead - Speech | Paradise Falls: Eulogy's Pad, on the table right next to the terminal. | 1 | Bobblehead - Unarmed | Rockopolis: Due west of Smith Casey's Garage and due north of Girdershade. The entrance (a large boulder) is below a party banner that is lit up at night.
ART 199 Karmin Godina May 8, 2013 From His Lens to My Soul Never before had I thought of a photograph as art until I was introduced to a photograph taken by Ansel Adams. I found myself standing in front the framed piece for quite some time enjoying every aspect of the picture. It was his famous photo of Bridalveil Fall at Yosemite National Park. I knew at that moment that I was going to take it home. When I got home I did some research on the internet and found that overall most of his work was done in black and white, and that most of his work was of nature.
I saw a lot of Wood Buffalo, Wood Bison, and Sandhill crane and to our surprise we saw bears. We had a beautiful view of some of the lakes in the southern Yukon but I noticed there was not much activity crop wise. There wasn’t much faming or gardening for natural fruits and vegetables in a large mass in this area due to the amount of sedimentary rock in that dominates the area and the cold
The detonation of the picture is that it contains a ground covered in snow and has sticks or tree bunks poking out of it and behind it are pine trees and a mountain. I think the connation of the picture is that it displays emptiness and death. The picture is focused on the burned and broken branches and sticks, which makes them the focus