The poetic techniques employed by Harwood effectively communicate distinctive aspects of her themes while allowing them to remain universal. Harwood captures ubiquitous tensions through her use of contrasting imagery and makes them familiar with vivid detail and a dramatic use of dialogue. It is Harwood’s unique ability to combine the philosophical and the emotive which allows for the continuity of her poetry. In “Triste, Triste”, Harwood explores the tensions between the creative spirit and the limitations of the earthly. The concept of the artists’ imagination as a separate entity, able to transcend the physical is a rather Romantic one.
Deep Semantics Of Imagery In The Color Purple Apart from its endless potential to engender thought which it shares with philosophy, literature is ‘a category of labour’ (Ricoeur, 1981: 136). It is a structured totality irreducible to the sentences that constitute it so that the first problem it presents as a work is that of understanding (Thompson 1984: 178). Reading a literary text is, therefore, quite different from reading other texts; here, the exercise involves a back and forth movement. The critic observes the clues offered by the text and the validity of his construction is through the logic of probability (Aristotle). In Ricoeur’s deep semantics, metaphor is indispensable for it opens a wide range of possible relations a word can enter into.
Henceforth, through Dobson’s poetic vision, readers discover new insights and experience through curiosity and maturation. As one could argue that Dobson is very much like an imagist poet, as they are very visual and highly subjective, they have a haiku tone to them in terms of their
Lastly the actual phrases represent a feminist perspective, all phrases are extracts from some of the most renowned feminists to date, these include Harwood has written the poem under the pseudonym of Walter Lehman This suggests that Harwood had a considerable political temperament as well as an ability to poke fun or mock the social constraints of her time. Her point was about editors' prejudice against women poets, thus emphasizing her intelligence at the time, and the frustrations she must have felt within her context. In “Triste, Triste”, Harwood explores the tensions between the creative spirit and the limitations of the temporal. The concept of the artists’ imagination as a separate entity, able to transcend the
Good afternoon and welcome to the Critical Study of Texts Academic Forum. Today I will discuss how Gwen Harwood’s poems are valued through the challenging ideas of nostalgia and morality. Memory is a significant motif throughout Harwood’s poetry. Memory can be subjective, fickle and unreliable as demonstrated in ‘The Violets’. The memory process is so powerful as to superimpose images of the past on to the present colouring a faded and melancholy world.
While then, Liesel writes the story of her life, containing both tragedy and beauty, at a fevered pace. Liesel has come to the realization that words can cause both violence and comfort, and she strives to make them "right" by combating propaganda with writing that emanates from love. The reason I chose this quote to be a part of one of my passages is because it gives a great deal of explanation of how
The wit, feeling, life and breath of the piece is here. This is where the writer makes his/her mark that makes their writing different from another’s, and adds a personal tone that is unmistakably his/hers alone. This is voice! | Word choice is the use of colorful and specific words that not only deliver the function of the piece, but move the reader emotionally. Characteristics of word choice in descriptive writing tend to bring clarity and entertain fresh ideas.
Emily Dickenson is notorious for her exceedingly extraordinary style of poetry. Unlike many of her contemporaries, she did not concentrate on conventional punctuation or word meanings, but rather focused on the school of thought known as deconstructionism. It is the natural progression from structuralism, where the writer takes a piece out of all historical, social, and political contexts in order to further examine the true meaning of a piece. Deconstruction is the paring down of the written word to its simplest form, consisting of just lines on the page and leaving the meaning open to the reader’s interpretation. This ideology of writing is an attempt to establish a secure or ultimate meaning of a text.
THE USE OF IRONY IN ACHEBE’S “GIRLS AT WAR” The literary element, irony is mostly used by authors to portray the modern age experience which is complex, multidimensional and contradictory. Irony comes in various forms and it connotes a sense of double meaning as well as contradiction. The rhetorical device of irony in literature is often far more effective than a direct and literal statement. The successful use of irony however depends on the audience’s role in not just counting the ironies but realizing the implications of the ironies used and its intention by the author. In Chinua Achebe’s short story “Girls At War”, he carefully exploits the central message of the story through his exquisite usage of irony.
It is a fact not to deny that Matthew Arnold is one of the really powerful emotional forces in English poetry. The themes which his poetry generally works out are those of aching hearts, longing, frustration, and the depths of blankness and isolation. In his poetry “he usually records his own experiences, his own feelings of loneliness and isolation as a lover, his longing for a serenity that he cannot find.”1 Arnold is a poet very much aware of the conflict in himself-the conflict which “tears him, and he sees it, and it becomes in our eyes all the more painful, but also the more moving-not a muddle, but a battle; not stupid, but tragic. For Arnold was indeed at war with himself.”2 His literary career may be roughly classified into four phases-the period of discontent represented by the early poetry-the modernist Hellenism culminating in Culture and Anarchy-the eight-year period of the Biblical studies-the final decade in which Arnold returns to modernism. The two basic problems that Arnold deals with in his early poems are alienation of the mind from nature and the sense of futility inherent in the cyclic concept of history.