Passion In Wuthering Heights

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Q. “A vivid and detailed exploration of human passions.” Explore the methods Bronte has used to present human passions. A: “Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you!” And then Heathcliff proceeds to savagely dash his head on a tree trunk and howl, “not like a man, but like a savage beast being goaded to death with knives and spears.” This act of unrestrained passion hardly moves Nelly, the sole witness to Heathcliff’s dramatic breakdown; rather, it serves to appall her, and she reluctantly leaves, after deciding “he was beyond my skill to console!” And likewise, it shocks the reader. In Wuthering Heights, Bronte uses a number of narrative devices to explore human passions, most prominent among them being: a framed narrative, a paranormal atmosphere and extended dialogue. How these methods were put to effective use shall be analyzed in detail in the subsequent paragraphs. Lockwood is our primary narrator. He is the harmless hypochondriac and genteel city dweller anxious to forge good relations with his neighbors, right up until we discover he has no qualms about rubbing a young girl’s wrist on a broken window pane until he draws blood. In his defense, “[t]error made me cruel”. This is the first time we meet Catherine (or her ghost, anyway) and her words—“It is twenty years”—instills in the readers a sense of the supernatural and a curiosity about what happened twenty years prior. Nelly enlightens us in reported speech. She is a maternal figure that knits while she narrates and an ingenious move on Bronte’s part to screen all instance of passion. Nelly is a device used to put some emotional distance between characters and readers but even this does not take away from the sheer intensity of Catherine and Heathcliff’s love. Bronte makes her characters give long, extended speeches

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