On Representation of Ted Hughes in Birthday Letters

985 Words4 Pages
A composer’s perspective of an event is a result of their individual context which they represent through the techniques and language of their composition. This representation is an attempt to communicate a subjective reality of an event as seen by the writer. Conflict arises due to the fluid and unique nature of perception in which no two personalities will perceive an event exactly, while complexities form within this due to the subjective nature of personal truth. In Ted Hughes’ 1998 poem completion of “Birthday Letters”, he offers his perspective on his seven-year marriage with American poet Sylvia Plath, before her suicide in 1963. His poetry is influenced by the benefit of hindsight, through reading her personal diaries and poetry during and before their marriage, and private contemplation of memories over a thirty year period after her death. He actively chooses to author a highly personal form of confessional poetry, shifting the audience’s perspective of him from the image of Plath’s abuser and oppressor, to his victimisation at the hands of her erratic and obsessive behaviour, removing the entirety of the blame from him. This is evident in his poems “Fulbright Scholars” and “Your Paris”. Both poems explore the conflicting perspectives of a naïve and young Hughes, and a retrospective Hughes looking back at his relationship with Plath. The active choices he makes within this helps us understand the complex nature of conflicting perspectives. ”Your Paris” describes the events of Plath and Hughes honeymoon trip to Paris some thirty years prior and reflects his naivety of her deeply troubled nature, represented through ironic self-blame and victimisation. Hughes represents the perspective of Plath’s and his personalities’ at the time, shown through the dominant use of contrasting personal pronouns designed to create two different subjective realities of their
Open Document