Not Mine Notes on Frankenstein and Blade Runner

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Since the Industrial Revolution had pervaded all part of European and British society by the time of her writing, Shelley questions how far the current wave of advances should push the individual in terms of personal and spiritual growth. She conveys the impression that perhaps the technological advances made to date rob the soul of growth when man becomes too dependant on technology. Personal freedom is lost when man is made a slave to machines, instead of machines being dominated by man. Thus, Victor becomes a lost soul when he tries his ghastly experiments on the dead and loses his moral compass when he becomes obsessed with animating the dead. Victor's overindulgence in science takes away his humanity, and he is left with the consequences of these actions without having reasoned out the reality that his experiments may not have the desired effects. Blade Runner is no different, with Scott’s reflection of the explosion of technological progress during the 1980’s, including the rise of computing giants IBM and Microsoft, highlighting the dangers of unrestrained progress. Most notable is the opening panoramic shot of blazing smokestacks which, together with the haunting synthetic pulses of the Vangelis soundtrack, gives the viewer a kind of technological overload, adding further to the film’s nightmarish dystopian tones. Scott’s portrayal of a decaying environment also reflects the growing ecological awareness of the 1980’s, which, whilst different to Shelley’s Romantic values, is similarly employed to highlight the destruction of mankind due to technology. Ridley scott creates the tyrell corporation as a representation of Hubris as it or the biggest building with skyword pointing lights and the blue glimmer. This connotes t the idea that it is the most superior compared to all other aspects of the society. The building is also structured to be pyramid-like that

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