Cake tootsie roll sugar plum chocolate bar I love croissant. Lollipop bonbon gummi bears liquorice apple pie chocolate cake caramels apple pie. Danish lollipop marzipan chocolate bar macaroon gummies soufflé liquorice chocolate bar. Gummi bears caramels carrot cake cake caramels. Jelly croissant I love biscuit jujubes biscuit bonbon.
Self-Portrait as Wunderkabinett By: JULIE HEFFERNAN Oil painting 82 x 58 inches Describe: Julie Heffernan used oil crayons to paint Wunderkabinett. She used a variety of different soft and dark colors within the painting. This portrait takes place in mid 1900s Victorian ball room; the room is dark green with gold trimmings on the top of the room, and it has a similar Michelangelo, Sistine Shapel painting on the ceiling. In the center of the large room is a chandelier hanging down from the ceiling with a variety of colored balls spilling out from the chandelier and landing on the floor. The chandelier stretches halfway down the room, with many birds flying around the chandelier from the bottom right side, curving around the chandelier, and ending up on the upper left hand corner.
Even her body though hidden under a wonderfully flowing wooden dress is slender and beautifully detailed. She sits unmoving with perfect posture and composure. The ever ruffled dress that Peggy will forever wear while she sits in her chair seems as though it is white even though it maintains the colors of the pickled poplar and cedar that she was sculpted from. Even though her dress is meant to reach her ankles as she sits her slender legs can be viewed while her feet gracefully float inches above the ground. The chair itself adds
Bound at the back with a bow of hair 3. Get some hair from both side and pin it at the middle forming a ribbon with a crystal clip. 4. Hold with a spray net. Fit for: * Semi- formal * Church Gathering *
Suburban Sonnet: Boxing Day Gold, silver, pink and blue, the globes distort her, framed in the doorway: woman with a broom. Wrappings and toys lie scattered round the room. A glossy magazine the children bought her lies open: 'How to keep your husband’s love'. She stands and stares, as if in recollection, at her own staring acid-pink reflection. The simple fact is, she’s too tired to move.
The room was darkened, with the shadows of the candles falling upon the walls. Elizabeth is sitting on a rocking chair in front of the fireplace in the living room with the baby in her arms suckling softly at her breast. The front door creaks and Reverend hale enters carrying his weighty books in his hand. Hale: Goody Proctor, mind if I enter? I really do hope I am no hassle this evening.
There's something about St. Mary's that just brings me home. There's a white plain baby room before the actual service room. As I walk into the service room the vanilla scent from the two burning candles by the alter hit me. During the service I can hear babies in the background. Their giggles and cries carry into our large room.
Amusing description is used everywhere in the book. When Joey and Mary Alice first go to Grandma's and meet Effie Wilcox, Grandma describes her as an “old humped-over lady with buck teeth.” Then, when Mrs. L.G. Weidenbach comes to Grandma's house to ask her if she would participate at the church sale, Joey describes her as, “a big-topped lady teetering in high-heeled shoes.” Finally, at the Centennial Celebration when Mrs. L.G. Weidenbach's nephew performs, “his hair was parted in the middle and he'd painted artificial freckles all over his moon face.” These examples help the reader understand how the character looked like. In the book, A Long Way From Chicago, many types of witty, or humorous, dialogue are used.
Growing up, Michelle Hagen lived near a large factory in Cincinnati that produced what she and her sisters called The Smell. The aroma was dynamic and unpredictable, almost like a living thing. On some hot summer days, it was thick and sweet, and when it drifted over Hagen's neighborhood -- a series of row houses by the interstate -- it was as if molasses had been poured through the streets. At other times, the smell was protein-rich and savory. Many of the odors triggered specific associations -- birthday cake, popcorn, chicken-noodle soup -- and they stayed with her.
“Two places…were set on a little table, at the foot of a big four-poster bed, its cotton canopy printed with pictures of Turks. There was an odour of orris-root and damp sheets, which came from the tall oakwood chest, facing the window. On the floor, in the corners, propped up, there were sacks of wheat…By way of decoration…in the middle of a wall, there was a head of Minerva in black crayon, with a gold frame, inscribed below, in Gothic script: To my dear Papa.” (15) The austere designs of the house reflected on the simple peasant-life Emma’s family leads. This was demonstrated through Flaubert’s description of the interior of their house which was built with common oakwood. It’s a small unadorned house that created a cosy atmosphere.