Music And Movement

900 Words4 Pages
Music and Movement Paper Children naturally love music, whether it’s soft and soothing or a lively tune; children feel it both physically and emotionally. Throughout the early years, children are learning to do new things with their bodies. Young children are also learning that movement can communicate messages and represent actions. Young children are able to perform and recognize pantomimed actions such as ironing, stirring, swimming, or playing the piano. Most children usually are quite at home with movement. They begin to learn about the world by acting on objects and people, and they “think with their bodies” well before they think with words. This is why body movement is not only fun for children but also a good opportunity for them to solve problems. Music is a direct reflection of the picture of society. Music can be a way to deliver messages, a fine art, or nothing more than a source of entertainment. No matter what it is used for, music is the perfect art and our lives would be that much less complete without it. Music is the perfect art. It has movement, because it progresses over a set period of time. It is not only music experiences; it is also movement experiences that these educators brought into the classroom. Renowned educators such as Jean Jacques Rousseau, Maria Montessori, Patty Smith Hill, John Dewey, Carl Orff, Zolton Kodaly, and Shinichi Suzuki have used music in their early childhood classes (Isenberg and Jalongo, 1997; Fowlkes, 1984; Hewes, 1976). In fact, music and movement have been shown to be naturally connected. Jerome Bruner hypothesized three cognitive stages of musical development, the first of which physical activity and music are intertwined (Isenberg and Jalongo, 1997, p. 129). All musical works have a beginning and an ending; however, music does not restrict the audience in the way that movies or graphic
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