Mughal Culture Essay

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Week 6 – Critical Reading Summary: Mughal Culture There is strong debate regarding the reasons for the demise of the Mughal Empire with many scholars arguing that the repression under the reign of Aurangzeb as playing a pivotal role. In her article “Did Aurangzeb ban music? Questions for the historiography of his reign,” cultural historian Katherine Butler Brown examines the validity of this idea. She calls the perpetuation that Aurangzeb was a religious fanatic whose repression of culture characterized the tyrannical nature of his regime as the ‘received view”. She argues that the continuation of the received view as being a serious obstacle to the study of music during this period. Throughout her article Brown critiques primary sources such as the works of Niccolao Manucci and others who have painted Aurangzeb as a puritanical Muslim emperor. She also examines the accuracy of the famous incident of the “burial of music” in 1668-9 that is often touted by historians as representing a major event in Aurangzeb’s reign. She concludes her article by exploring some of the political reasons as to why Aurangzeb discontinued Mughal tradition and refrained from outward patronage of the arts. In her examination of primary sources, Brown questions the credibility of Manucci’s account and argues that it’s important to understand the motives behind his writings. Manucci was a mercenary in Dara Shikoh’s army, an army that was ultimately defeated by Aurangzeb for the Mughal throne. So it is not surprising that his writings paint Aurangzeb as a cruel religious hypocrite while describing Dara Shikoh as a compassionate liberal martyr. Brown reinforces this point when she writes “in Manucci’s hands, music becomes a weapon in the battle between good and evil, epitomized by the two main rivals for the throne, Dara Shikoh and Aurangzeb” (Brown 85). Manucci also questioned
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