5. How does the music of the development section compare to the music of the exposition? Motives get presents in different keys, registers, and groups of the instruments. The composer used the new themes that weren’t found in the exposition section. The music ended tonic key transitioned to bridge and modulated to dominant key.
THE CLASSICAL PERIOD (1750-1825) THE CLASSICAL PERIOD OF MUSIC 1) TIME OF GREAT MUSICAL EXPERIMENTATION AND DISCOVERY 2) CENTERS AROUND ACHIEVEMENTS OF VIENNESE SCHOOL A) HAYDN B) MOZART C) BEETHOVEN 3) THREE CHALLENGING PROBLEMS A) EXPLORE MAJOR-MINOR SYSTEM TO ITS FULLEST B) TO PERFECT A LARGE FORM OF ABSOLUTE INSTRUMENTAL MUSIC (THE SONATA CYCLE) C) TO DIFFERENTIATE BETWEEN ITS (SONATA CYCLE) VARIOUS TYPES 1) SONATA 2) CONCERTO SYMPHONY 3) ELEMENTS OF THE CLASSICAL PERIOD 1) ELEGANT AND LYRICAL MELODIES A) ELEGANT AND LYRICAL MELODIES B) CLEAR-CUT CADENCES 2) THE HARMONIES THAT SUSTAINED THESE MELODIES A) FIRMLY ROOTED IN THE KEY RHYTHM 3) A) MUSIC WAS IN EITHER 2, 3, 4, OR 6/8 B) STAYED IN RHYTHMIC STYLE IT BEGAN WITH 4) FORM A) UNFOLDED
Fifth Symphony The Fifth Symphony is one of the major symphonies composed by Ludwig van Beethoven. Premiered in 1808, it featured the whole orchestra. The first movement is in C minor, four chords are thrust forward in monophonic texture to open the work. The work is built upon a short motive which repeats throughout the piece with slight variation each time, creating a cyclical structure to the entire symphony. The four note motive repeats in the first theme constantly repeated with variation in rhythm, instrumentation, and dynamic level.
Music Composition and Composer Paper Mary Wilson ARTS/340 July 29, 2014 Instructor Marva Ballard-Smoot Music Composition and Composer Paper Beethoven, Mozart, Michael Jackson, and Stevie Wonder are musical artist I enjoy listening too. Each of these artists are genius in their own right. I enjoy the piano, horns and violins that can be heard through their style of music. Each composer have their own brand of uniqueness, harmony, tone colors, textures and rhythm that is reflective in music. In Beethoven, Ninth Symphony, in the first movement it starts out slow, soft and low and then there is second movement which has such an outburst of energy and dramatic tone.
This suite, part of a series of four “overtures” (as Bach called them) represent experimenting by Bach, since they resemble a French style music used by Italian-born composer Jean-Baptiste Lully. Suite No. 3, which contains “Air on a G string”, is the most popular of all the overtures. The “Air on a G String” is the brief second movement of this suite. Although the full suite includes trumpets, oboe, and tympani as well as the strings and a bass line usually played on harpsichord and cello, this movement is reduced to the string orchestra only.
The third theme begins in the C major key on measure 28, with the all voices except the 2nd violin and horn, the former of which is playing a “bouncing” scales motif, which will continue throughout the theme. In measure 32 only the first violins play the melody. This theme ends in measure 34. Part of the theme 3rd theme repeats and the the strings move down to progressively lower pitches. The trumpets then respond with a repetition of Gs in two octaves, which is notable due to the fact that they have been mostly resting throughout the piece.
These sections are the exposition, which starts from the first bar in K.333, the development, which between bars 63 and 93 and the recapitulation that occurs from bar 93 until the end of the piece. Poulenc’s Sonata is written in ternary form, which means that it follows an A-B-A structure. In this specific piece, the A section starts at bar 1, the B section starts at bar 26, then at bar 58 the A section returns again. In Mozart’s K.333 there are clear perfect cadences used in the piece that help reinforce the tonality, however in Poulenc’s Sonata although there are perfect cadences some of them are not completed and are instead suggested and then interrupted. In Mozart’s K.333 the cadences are used to reinforce the tonality, such as in bars 9-10 where the cadence is in the tonic key.
As I have learned from my music class” harmony involves the vertical aspect of music, that is, tones of different pitch that are sounded together”. Since, harmony is two or more pitches sounding simultaneously I can we no doubt say that during the concert the music’s harmony was intact, I think the combination of pitches did go together well. Form is essential to every art; it is the constructive or organizing element in music. During the concert each section or movement of the symphony has a formal design but also ultimately relates back to the theme or plot of the whole work. As I said earlier most of the pieces that were performed are patriotic, and as we all know music in our century is very developed, and especially with technology every sound of the professional music is almost close to perfection, the Boston pops 4th of July to me fall into the contemporary historical period of music.
The exposition ends at bar 107-111 with three perfect cadences. The development begins with the opening of the first subject in octaves by every instrument except the double bass and horn, and a rapid key change to c minor. At bars 116- 120 the melody from the codetta is heard on the clarinet and then is heard again in sequence on the horn. The music then begins to modulate between many keys. At bar 125 the idea from bar 40 is heard again, alternating with the codetta theme
It is a tool for composer to vary its main theme. Based on the analysis above, we can see that the Piano Sonata composed by Mozart is masterpiece due to its form, harmony, tonality change and other techniques used. Mozart is really the contributor to the classical music, and even to the music that we hear