Montage: Juxtaposition of Past and Present

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Montage: A Juxtaposition of Past and Present Formalism Approach Literary Criticism Along, Earl Queena B. III-19 AB/BSE Literature (English Stream) Ophelia Alcantara-Dimalanta’s Montage has known for its unconventionality in terms of form. The poem provides an image of a young woman who describes her transition from an enjoyable Sunday evening to the reality of Monday. This paper attempts to highlight the image formed in the poem, forming a juxtaposition of the past and the present life of the persona. The poem consists of 33 lines with two unbalanced parts; the first part has 26 lines and the second has only 7 parts, making the poem free from the stanzaic norms of English poetry. And it also does not follow any rhyming pattern. Deviance is one of the many facets of language in literature. Traugott and Pratt define deviance as a means of departure from linguistic norms. It is also characterized as an atypical manner of constructing sentences to achieve ambiguity. In order to unpack the poem, we must listen first to the persona’s voice by looking into its unit thoughts. The poem has six unit thoughts that will enable us to dive deeper into the poem for better understanding what the omniscient persona wanted to address. Monday jolts and she bogs down, a ragbag Splayed off at tangents. The first unit thought describes how the woman sees herself at the start of the day. A ‘ragbag’ is a direct comparison of the type of woman she is, and ‘Splayed off at tangents’ is a metaphor on how she looks at herself. Ragbags projects an image of flexibility and strength because they are often perceived as carriers. This thought can be interpreted as: She, just like a ragbag splayed off at tangents, bogs down—giving us an image of how the woman looks at herself on weekends: literally thrown off on bed. Windows To the outside and
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