I can also see the illusion of light on the water and the clouds. The way the painting is arranged you can still see light on the tops of the branches of the trees even through the dark cloud is above it. I think the color is important because the greens and the yellows brings a softness to it. The colors are used in contrast to each other so you see the dark clouds and the dark green of the forest and then you see the brightness of the sky with the yellow of the land it is a good contrast. Art Critique Paper 3 The texture of the painting is implied since it is a painting.
I think the original of this piece is supposed to be smaller, but the viewer still sees the flower in a huge perspective because the angle and position from which the painting was created makes the viewer feel like they are very close to the painting anyway. The entire composition is consumed by the poppy and the edges of some petals are actually cut off because the close up is so great. The intimacy almost forces the viewer to stop just to take in every detail. O’Keefe uses colour to impact her viewers such as the obvious contrast of the poppy on the white background which seems to make the flower jump out into the viewer’s space straight from the canvas. The background also has a fuzzy grey which occupies the edges of the focus on the flower.
Kindness and gentleness are feelings of actions. Myop is kind and gentle to her animals and flowers. In the story the reader tell us how she like flowers. She goes with her family to pick flowers. flowers are gentle.
When he felt he had the right image he would then project the slide onto a canvas and pencil in both lines and details. The reason why Goings was so amazingly talented is because he could paint the photograph with such profound detail that the audience would be able to see detail that they would typically not be able to see in reality. "My paintings are about light, about the way things look in their environment and especially about how things look painted. Form, color and space are at the whim of reality, their discovery and organization is the assignment of the realist painter." The painting called Ralphs Diner (1982) is a great example of the vivid detail he used with light color and texture.
I feel that artist really feel like they are in their own world and as if they are seeing that person or thing and then draw them. I have learned that when a artist is drawing they look at what they are drawing and looking at the contour of the drawing. They look at the shape and the shading of it. What do these examples say about the artists’ values of the human form? (For example, do the artists revere or rejoice in the human figure, or do they treat it irreverently?)
In school Montejano favorite class is AP studio art where she can creates her own art portfolio. Right now Montejano is preparing a portfolio containing her painting with a series of the same topic themes to them. Her artwork is base on inspirations from music and the way she feeling “when I’m mad
Koons hired engineers and horticulturalists to create the artwork because he couldn’t do it himself. Jeff Koons used flowers to make puppy because they are very pleasant to the eye and bring joy to the general public. The flowers are colourful, pretty and make the
Instead, they placed more emphasis on the “structure, content, and formal order” ("Impressionism & post-impressionism,"). They liked to use unnatural colors and use geometric shapes, unlike the Impressionist’s use of soft lines and natural colors. Also, instead of painting outdoors to capture the moment, Post-Impressionist painted in a studio, and their paintings were based on the emotion and concept of the artist (Emelda, 2011). Like the Impressionists, however, they believed the originality of the painting was important. Like many artists of the 1880’s, the Post-Impressionist wanted to portray “emotion and intellect as well as the visual imagery” ("Post impressionist,").
She was not afraid to experiment with the patterns, sizes, design, and the intricacy to detail, which often took on the resemblance of the female form in many of her works. She took the discretion to make small parts large and vice-versa, she changed the colour balances, and created disharmony, which would force those who looked at these pieces of art, to see the images as something else. In her work, she also stretched the visual edges, to design features which had metaphysical implications in many of her pieces. Symbolism was something that she did not shy away from, and this showed in much of the work she did of this nature, and with many of the designs which she included flowers and landscape features. She was not afraid to experiment
Then we coloured in balls and faces with acrylic paint for practice and also to develop our understanding of colour and shading and also the use of warm and cool colours. After doing that we then drew a portrait of our friend in oil pastels. After that we did our ‘draft’ or practice painting, in preparation for the real one. Using acrylic paints again, and a mirror we did a scaled down version of our real piece. We had to incorporate all of our knowledge and skills