Medieval and Renaissance Values in Dr. Faustus

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Christopher Marlowe (baptized February 26, 1564 - May30, 1593) was an English dramatist and poet who was well known for his magnificent blank verse and overreaching protagonists. Marlowe based his play Doctor Faustus on stories about a scholar and magician, Johann Faust, who allegedly sold his soul to the devil to gain magical powers.. The age in which Marlowe wrote was an age of exploration, quest for knowledge, zest for life and advancement of science and technology, the age of emerging renaissance, an era of political change. Above all, the age where the literature had shifted from being heavily religiously influenced like the mystery and morality plays of medievalism to writings that focused more on the controversial topics of that particular time, for instance the struggle of power, the celebration of the free individual and the scientific exploration of nature, the emerging renaissance ideals . In the medieval academy, theology was known as what the critics call “the queen of the sciences” whereas in Marlowe’s world of Renaissance, secular matters had started to take the center stage. The protagonist in most of Marlowe’s play is a renaissance man in pursuit of power or knowledge. For instance, Barabbas in the Jew of Malta, Tamburlaine in Tamburlaine the great and Faustus in Dr. Faustus. Marlovian scholars over the years have projected contrasting views of Dr. Faustus. Some assert that it is the story of a medieval man whose “aspirations and dabbling in satanic art are judged and condemned” according and import" to Christian doctrine. Douglas Cole comments that Doctor Faustus is "thoroughly Christian in conception[1] where Faustus is himself responsible for his fall as he knowingly transgresses the religious boundaries by committing sin, does not repent and faces eternal damnation which were the orthodox values of the middle ages. Unlike the medieval
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