Christian icons are evident in many early works of Christian art. The use of icons and symbolism was important in early Christianity as it was used to educate many of the early followers of Christianity who were illiterate. “Gregory the Great and Three Scribes” and “Lamentation” by Giotto are two works of art that use Christian symbolism to visually teach Christian ideals and beliefs to its followers. “Gregory the Great and Three Scribes” is an ivory panel was carved in the late 9th century and the artist is unknown. (University of Minnesota College of Liberal Arts, 2010) The carving depicts St Gregory sitting writing with a dove perched on his shoulder.
In comparing and contrasting Cimabue’s and Giotto’s Madonna Enthroned, the artist’s main idea of Madonna sitting on the throne is the same, however the forms used greatly differ. Both artists paint with a Gothic and Byzantine style with noticeable halos on the angels and a gold background. When contrasting these two pieces of art, the main difference is the placement of the figures of Madonna in each painting. In Cimabue’s, the Madonna looks as if she is sitting solidly, and the angels appear to be “stacked” around her in parallel form. In Giotto’s artwork, the angels in front appear closer, as the angels in the back row seem farther away giving an appearance of surrounding the Madonna.
Rachel Garcia November 21, 2010 Art 11 Comparison and Analysis of: Raphael’s the Madonna and Child Enthroned with Saints and The Buddha Seated in Meditation. The title of the painting that I choose for this assignment is entitled The Madonna and Child Enthroned with Saints. This is a painting by the Italian High Renaissance artist Rafael, circa 1504. The Madonna And Child is an alter piece of an oil painting that also uses gold on wood. The Madonna and Child is a piece that uses many techniques used during the Renaissance period such as one point perspective, balance, use of geometric design, and religious themes.
In the following paragraphs I will address each question purposed as it relates to Martha Rogers’s theory of the Science of Unitary Human Beings. The questions deal with the purpose, concepts, relationships, structure and assumptions of the theory. I will then utilize the critical reflection concept of the model to further evaluate the theory. Purpose of the Science of Unitary Human Beings The purpose of the Science of Unitary Human Beings (Blumenshein, 2009) was to allow nurses a chance to look at the world with alternative eyes. The theory suggests that human beings and the environment cannot be understood unless they are studied as a whole.
1. What do you think is the subject of the painting? What made you arrive at that conclusion? The subject that catches my eye first is Diego painted on Frida’s forehead. But because it’s a portrait, I feel as though Frida and Diego are both subjects.
This period in the history of France (the Franks) is known as the Capetian Dynasty, which was mostly influenced by the movement of Gothic art. This type of art work, which shows images like the Virgin Mary “changed from the Byzantine iconic form to a more human and affectionate mother, cuddling her infant, swaying from her hip, and showing the refined manners of a well-born aristocratic courtly lady (C pg 1).” B. Description & Formal Analysis When at first glance, the sculpture portrays an image of a mother simply holding a child in her hands, but in actuality it shows a much deeper meaning than which is portrayed. This
 The statue is representing Mary and she’s supporting Jesus with both hands, while sitting on a stool. The word Majesty in the title suggests that these two figures belong to a royal family because they represent Christianity.  Mary and Jesus are important figures in Christian religion, this statue has been carried in church processions.  The statue seems to be stiff sitting on a stool because the way Mary’s holding Jesus with her both hands. T he shape of her hands is not real which makes the figure look rigid.
Composers rely on memory to persuade responders to view history in a particular light. To what extent do you agree with this statement? Our perception of history is dependent upon a combination of events, personalities and situations. In this sense, it can be seen as a misleading impression of reality when the truth becomes distorted by our memories. This notion is evident in Stephen Frears’ film “The Queen”, the documentary “Pompeii: the Last Day” by Peter Nicholson and the novel “Mao’s Last Dancer” by Li Cunxin as all three composers rely on memory to represent a fusion of fact and fiction which ultimately influences our memory to view history in a particular light.
The Coronation of the Virgin Mary – Signorelli Luca This celebration of Mary's queenly dignity led to an image type in which Mary and Christ sit enthroned side by side, the Christ is lifting his right hand to crown his mother, and are flanked by two angels who represent those celestial legions. The pattern shows Mary kneeling at left, with her arms crossed on her breast, the Father seated between the Son and the Mary. The painting’s composition is based on an inverted triangle, giving a sense of great equilibrium and harmonious lines and reminiscent (both in its color and form) of a heart. The main figure is the Virgin Mary, with a modest, reverential and emotional expression, lowered eyes, a straight nose and curved lips. The sense that the inverted triangle is meant to refer to a heart is reinforced and the viewer's piety invoked by Mary pointing to her own heart.
Leonardo da Vinci, Virgin and child with St. Anne, c. 1507-1513, oil on wood panel This painting is realistic. It describes Virgin Mary, her mother and baby Jesus. Color It is noticed that Virgin Mary, the young woman in the middle of painting, dresses in much brighter color – red and light blue -- than other two people. Bright clothes suggests the emphasis of the painting should be put on the young woman. This thought is also consistent with light direction.