Madhubani Painting Essay

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* Title :- Content analysis of the changes in Madhubani Art. * Abstract :- Madhubani art which is the cultural identity of Bihar is changing from generation to generation. The art painted on wall, canvas and floor has now shifted to paper, clothes, and sun mica. The themes, used to revolve around Hindu deities and the life of Madhubani, is now deviated towards contemporary themes like social activism, feminism, environment pollution, global warming, globalization, national and international actions etc. The study will analyze the transition of Madhubani in different dimensions. * History:- Mithila paintings every now and then referred to as Madhubani, originate in the region of Mithila from where they also derive their name also. This expression is fitting since it is the topographical origin and medium of the creation that bonds this genre. Beyond that this folklore holds a multiplicity of artistic styles and content. As a earthly tradition, Mithila painting has had a intense trail over the last fifty years, and its progress is crucial to understanding its importance. Mithila is the birthplace of Sita, placed on the plains of Bihar. This organic rich area plays into the aesthetics of Mithila paintings – the key mediums for this run-through have always been natural vegetable dyes and mineral oxides. This user-friendliness of medium also imprecisely relates to the innovative praxis of Mithila painting since it is the women of Mithila who had been the solitary experts for generations creating grand and devotional floor paintings known as ‘aripana’ and wall murals known as ‘kohabar’ for festivals and favorable occasions like weddings using simple brushes made of bamboo and raw cotton. These paintings have created secular spaces for their domestic ceremonials. The first known record of Mithila painting happened in the 1930s. After an

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