Revenge must begin with a motive. In the play Hamlet, Fortinbras and Hamlet both seek revenge for the death of their fathers. Hamlet desires revenge because he is ordered to do so. Also he develops a hated for the new marriage of his mother and Claudius. Old Hamlet informs his son that he was murdered by his brother.
The beginning of the key scene is important because, Hamlet has been summoned by his mother, who is furious with him for events surrounding the play-within-the-play, in which it has been suggested clearly that Hamlet’s father has been murdered by his brother. Hamlet, however, confronts his mother, still unhappy that she is married to his uncle, Claudius. Polonius has been sent to spy on Hamlet on behalf of Claudius. Hamlet kills Polonius, apparently believing it to be Claudius. Old Hamlet’s ghost appears for the second time to remind Hamlet of his mission of revenge for his father’s murder.
Hamlet portrays falsity when using rage against Ophelia after discovering she has been apart of a plot of revenge. He uses this as an opportunity to deny his love for her and degrade her until she felt horrible about her self. “I did love you once but you should have not belived me; for virtue cannot so inoculate our old stock but we shall relish of it. I loved you not.”(3.1.114-119). It becomes clear that Hamlet did truly love Ophelia, yet hid it because he was a coward.
He achieves this goal through a reenactment of Hamlet’s death, and the exchange of everlasting love between ‘Hamlet’ and ‘Gertrude’, played by the actors at Elsinore. After this incident, it is Claudius’ soliloquy that leads him to profess his true intentions to the reader about his motivations for killing his brother. Claudius confesses, “I am still possessed/ of those effects for which I did the murder:/ My crown, mine own
In the play, Hamlet is portrayed as a very philosophical character that thinks and analyzes every situation to the extreme. Hamlet undergoes many difficult situations such as the murder of his father, which causes him to act in a very mad and crazy manner, which plays a role in his relationship with Ophelia. Before the incident of Hamlet’s father’s death, Hamlet loves Ophelia and he demonstrates this by showing romantic gestures such as exchanging love letters with her. Hamlet sends her letters in which he refers to her as “the most beautified Ophelia” and his “soul’s idol” (2.2.109-110). Hamlet clearly demonstrates his expressions and feeling towards her through this letter and shows us that he does love her.
William Shakespeare’s “Romeo and Juliet” explores true love in amongst feuding families whilst exploiting the notion that deception leads to catastrophic misfortune. The young poetically portrayed Romeo’s inability to control unchecked emotions, directs him to being disloyal amongst family and his “star crossed [lover]” Juliet. Furthermore, Juliet’s love for “(her) Romeo” causes her to turn a blind eye to his disloyalty and hastily act on his “banished”, through these actions she uses trickery to deceive her family and because of her love affected decisions. Friar Lawrence along with the nurse, cause confusion for the hasty lovers which renders to heightening the family’s feud. Shakespeare presents the concept that deceptive decisions lead to tragic events.
Freud notes that "Hamlet is able to do anything—except take vengeance on the man who did away with his father and took that father's place with his mother, the man who shows him the repressed wishes of his own childhood realized." In addition to Hamlet's oedipal anxiety, his delay in obtaining revenge as commanded by the ghost is also a source of psychoanalytical study. C. L. Barber and Richard P. Wheeler (1986) introduce their analysis of Hamlet by reviewing Freud's views on individual and social development. The critics assert that the psychological framework of Hamlet is informed by Hamlet's efforts to "cope with the desecration of his heritage." While they argue that Hamlet's problems cannot be simply reduced to the Oedipus complex, Barber and Wheeler state that an understanding of Hamlet "must be consistent with the presence of that complex, for the Freudian explanation clearly works."
I strongly agree that whatever goes around, comes around, or, in other words, one is rewarded for his good deeds, and castigated for his wrongdoings. To support my side of this argument, I will question the widely used concept of “an eye for an eye”/”what goes around comes around” in Shakespeare’s Hamlet, and recall a personal memory, which taught me being benevolent, makes your life enjoyable. The plot of Hamlet revolves around a vengeful prince exacting revenge upon his treacherous uncle. Claudius, Hamlet’s uncle, had committed a cruel, backstabbing act – he had poisoned his brother King Hamlet, Prince Hamlet’s father, only to take the throne and the power. The prince, upon learning of Claudius’s sinful corruption, swore to avenge his father’s betrayal.
The personality traits of insanity and intellectuality also contribute greatly to the death of Hamlet. Hamlet’s tragic flaw is his procrastination. Without a doubt, Hamlet portrays procrastination and indecisiveness multiple times in the play. The ghost of Hamlet’s father visits him in the beginning of the play informing Hamlet that he was murdered by his own brother, Claudius: “The serpent that did sting thy father’s life/ Now wears the crown”(I.v.44,45). Furthermore, Shakespeare exhibits how Hamlet chose to devise a plan of acting mad, rather than avenging his father’s death immediately, progressing to his demise.
The demised king commissioned Hamlet to execute revenge against Claudius. Hamlet willingly accepted. As the plot advances, one tragic event follows another, all of which resulted directly or indirectly due to some form of treachery. The story depicts episodes of deep passion motivated by raft, jealousy and sadness over death and lost love. To name a few of the convoluted incidents, Hamlet was alienated from his beloved girlfriend, Ophelia.