Literary Response Revision - Araby

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Mike Professor McCrary EN160 Literature and Composition 3 February 2013 Araby: Revelation of an Epiphany James Joyce’s short story “Araby” is a great illustration of epiphanies in literature. In “Araby”, it [the epiphany] is the sudden moment when the young protagonist realizes his love for Mangan’s sister is only in his mind. The meaning is revealed as the Narrator begins a journey from love to despair, and ultimately heartbreak and disappointment. The story begins with a description of North Richmond Street, a “blind” and “quiet” street where “Christian Brothers’ School set the boys free” (101). An uninhabited two-story house, detached from its neighbors, stands at the blind end. The street and the house are symbolic of the protagonist’s life. The aunt and uncle are blind to his anguish and despair, and Mangan’s sister is blind to his love. His dream of love causes him confusion and detachment from reality. The former tenant, a priest, died in the backroom leaving a few yellowed books and a rusty bicycle pump. The priest and the objects may represent symbols of a religious past. The young protagonist, still boyishly shy, waits desperately for Mangan’s sister to notice him. When she comes out to call her brother in, he says, “we watched her from our shadow peer up and down the street” (101). Every morning he watches her door being careful that she doesn’t notice him. When she goes out, he follows her and says, “I kept her brown figure always in my eye” (102). He does this every day. His obsession with Mangan’s sister is like that of a stalker. As he and his Aunt walks through the markets, and streets “jostled by drunken men and bargaining women” (102), he says, “her image accompanied me even in places the most hostile to romance” (102). The author’s use of “hostile” signifies one not being able to find love on the streets where men seek out the services

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