Lady Macbeth a Fiend Like Queen?

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It has been said that “Macbeth is one of Shakespeare’s greatest tragedies: a darkly atmospheric drama of crime and punishment, of temptation, guilt remorse and retribution.” Written in the seventeenth century by William Shakespeare, under the rule of King James I and more importantly, at a time when women were second to men; emerges the controversial character of Lady Macbeth. During the Renaissance era a woman belonged to her father and then to her husband; any man who was manipulated by his wife was ridiculed. This is important in the context of the play as Lady Macbeth was not a passenger throughout this ‘darkly atmospheric drama of crime and punishment’ but rather controlling. This was unconventional and would have shocked the Renaissance audience as women were seen as second class citizens. I am going to discuss the different sides of the argument and then determine from that whether or not Lady Macbeth is a “fiend like queen.” Lady Macbeth desires to have all femininity removed from her: `Come, you spirits… unsex me’ and `Come to my woman’s breasts and take my milk for gall.’ This scene shows Lady Macbeth to have willingly disposed of all emotion and maternity by appealing to the evil spirits. This is further illustrated when she says later on in the play: `I would have plucked my nipple from his boneless gums and dashed the brains out.’ This callousness and disregard for motherhood during the Renaissance era where conventionally mothering was a woman’s only job shows Lady Macbeth as a “fiend like queen”. Lady Macbeth is shown after the murder of Duncan as having a guilty conscience: `The Thane of Fife had a wife: where is she now?‘ The guilt turns to insanity shown when it comes to cleaning her hands of blood.’ What will these hands ne’er be clean?’ and `Out damned spot: out I say!’ This is ironic as earlier in the play Lady Macbeth tells her husband after
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