All of these various styles responded to the industrialization of Europe in their own unique fashions, and resulted in a strange conglomeration of art, ideals, and themes. The earliest and perhaps greatest response to industrialization was the era or Romanticism. Disgusted by the squalor and pollution produced by industry, many artists and writers turned to Romanticism, glorifying nature over civilized society and emotion over reason. Romanticism prized natural beauty and despised the materialistic ideals of the Enlightenment and Industrial Revolution. Romantic art tended to revolve around nature or some heroic deed, ignoring or tuning away from industry and logic, and when it did not, it reviled it.
How far was the economic slump in Germany responsible for the remarkable rise in support for the Nazi party in the years 1928-32? Germany’s economic slump was a major factor in the Nazi’s good fortunes; however it was by no means the only factor which contributed to their rise in support. Linked with the poor economic climate, the political situation was in a dire condition, with no party apparently able to find a solution to Germany’ problems. A societal shift away from support for democracy also enhanced the NSDAP’s support as they seemed to offer a new hope to the public. The elite undermined Weimar as a result of their traditional values and hatred of democracy.
German Immigration and the Development of the Beer Industry in America. The most noted reason why Germans had left their homeland for America were varied. Some would say intolerable economic conditions in the German states and a desire for improvement in the shortest time as possible was one of the foremost reasons for the coming of Germans to America. Not only where the pauperize people were coming to America. There were many of the comparatively prosperous who also came; to better themselves economically.
How successful were successive German Chancellors in protecting the position of the Second Reich's ruling elite? Germany's ruling elite were made up primarily of Prussians, land owning aristocrats or high ranking military leaders. It also consisted of leading industrialists and the judiciary. However, their position as the ruling elite was under threat. Although the industrial revolution had a huge positive impact on German economy, it also lead to a rise in socialism which meant the emergence of pressure groups, such as the Nationalist pressure groups and the Economic pressure groups.
citizens.” (Schultz, 2014, p 327) So many changes occurred during this era. Many defined the U.S. as an aggressive and dominating force that often confused business and politics for financial gain. A clear social ladder developed during this time and we see how the wealthy created most of the rules and standards along with certain laws and legislation. People became richer in material goods as the standards of living changed. As folks migrated from rural areas into the city, many felt a sense of culture shock because their sense of community life switched into one of autonomy and indifference.
Many of these works were innovative and fresh. They were publicly engaging and accessible. Art was no longer something for the rich and powerful, but something that could be for all people. It was something that greatly represented the people as it chronicled people’s experiences and expressed a vision of social change. The combination of federal arts funding and the stimulation of social movements for civil rights, industrial unionism, and social reform created a new cultural environment, new forms of art, changed understandings of community and individual social roles, and a collapse of distinctions between art, culture and politics.
Also, the Industrial Revolution led to divides in the upper and lower Middle Class. The middle class artisans were crushed as their skills were replaced by machinery. This was the entire purpose of the Industrial Revolution. Skilled workers could command high wages and control over their workspaces. Machines replaced those people and increased profits for the factory owners.
Frankenstein driven by romantic imagery and set in historic context, that analysis the European divide in society perpetuated by superficiality. Contrastingly Blade Runner is consumed by commercialism that reflects the dystopian globalised world that omits normal societal values and morals. Both texts challenge the morality of artificial creation that is motivated by the characters' relentless ambition. The texts employ techniques such as allusions and tactical characterisation to depict the disconnection to nature and the manipulated visions of the characters as well as introducing the question of 'what it means to be human?' Character is emblematic of the ideas within the both texts.
This pursuit of knowledge and progress is not unlike that of the Nazi regime. Composed post WWII, the film also holds totalitarian overtones represented through Tyrell’s creation of a creature “more human than human” and Chew’s blindness to the ethical ramifications and moral obligations of his work (“I only do eyes”) in creating the eyes of the new human race (i.e. the future). Furthermore, Scott hints at the regressive nature of science through the interwoven elements of film noir and science fiction. The film also shows façades of twinkling, awe-inspiring lights with corrupt, dirty
The True Meaning Behind Candide Candide is a literary work by Francois-Marie Arout, more commonly known by his penname, Voltaire. Candide, otherwise titled Optimism, is the tale of a young German lad named Candide and the adventures that he undergoes. While the plot of the novel is interesting, the book is considered a classic because of the not-so-subtle humorous ridiculing of everything that Voltaire wished to mock. Voltaire ridicules the church, the state, and everything in between through the use of allegory. Voltaire used certain literary techniques and language, such as humor, in order to effusively express his contempt of what was happening in his world.