In the play you can see familial, friendly, unrequited, true, and sexual love. All the different types of love and the relationships that came with it are the cause of the tragic ending of Othello the Moor and the gentle Desdemona. The first type of love that you see in the play is family love. The relationship between Brabantio and Desdemona in the play is very strained seeing as how she ran off to get married without his consent, which back in the day was a big no-no. You can still see the love that they have for each other when Desdemona says “To you I am bound for life and education; / My life and education both do learn me/ How to respect you.
In William Shakespeare’s play, King Lear, Lear’s initial division of his empire between his two selfish daughters, and the banishment of his loyal daughter, cause a rupture in the Chain of Being. Even after abdicating his power, Lear still pretentiously commands others in an authoritarian and kingly way. As the plot progresses, the deterioration of his mind parallels the degeneration of his kingdom. However, Lear still finds wisdom in his madness because he is humbled and reduced to his natural state, unmodified by his superficial regality. After he abdicates his power, Lear still acts authoritarian and kingly, despite having no real power.
Vereen M. Bell states, “Hindley cannot forgive Heathclff for unsurpuring the love of his father, so once he master of Wuthering Heights he sees that Heathcliff is methodically humiliated and degraded” (Bell). Catherine, however, accepted Heathcliff and liked him from when he first came to her house. She liked to spend time to him. She even began to love him, Catherine states that, “My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!
Her father, Polonius, suggests that she does not waste her time on Hamlet and that she should not talk or spend time with him. Ophelia is no longer allowed to pursue things with Hamlet because of the disapproval of her father and brother. This takes a toll on Ophelia and is one of the many reasons why her life is so tragic. Even though Ophelia unconditionally loves Hamlet, it is not a mutual feeling. The King, Claudius, sends many people to spy on Hamlet throughout the play and Hamlet begins to think that Ophelia is helping the King spy on him.
By the end of this play, we see how Nora’s secret changes the relationship between the couple, as she violates the stereotypical role-play as a wife and mother in her era, which generates her inspirational growth. Nora, the main character, was first introduced as a very sheltered, immature, and optimistic woman. Helmer we see as proud of his male role in society and in the household, father-like towards his wife, and greatly cares for his appearance in others eyes. When speaking to each other, Helmer communicates to Nora as if she was his child instead of his wife. He does this by things such as calling her nicknames with negative characteristics, such as his little lark, spendthrift and featherhead.
Ophelia is being used as bait to try to find out if Hamlet's love-sickness for her is real. She gives in immediately to her father and doesn't question him at all showing her lack of freewill, a characteristic that was not uncommon with women of the time. When she finally comes across Hamlet and starts talking to him, Polonius and Claudius, while spying on them behind some curtains, listen to their every word. Ophelia says that she is willing to return the love Hamlet displayed to her, but he goes off ranting about how he never loved her at all. He continues to go on to degrade and pick apart women.
In Act IV, Desdemona portrays both loyal characteristics and qualities of innocence. In Act I she tells her father “You are the lord of duty, I am hitherto your daughter. But here’s my husband…” (1.3.184-185). As Othello’s perspective and motive changes throughout the play, Desdemona’s characteristics alter minimally. Desdemona’s innocent, loyal, and honorable traits contribute to the theme that things are not always as they seem due to Othello’s failure to recognize them in his moments of jealous accusation.
He tells her that she is acting in a way he doesn't approve of, he says that she is ‘walkin’ wavy’ and that this is making men notice her and ‘their heads are turning like windmills’. The thing is, it is Eddie who we see is the one who notices her growing up into an attractive woman, and his desire for her is the cause of the tragedy that ends the play. The way their relationship changes through Act 1 sets up the situation that will end in the death of Eddie at the end of the play. Eddie Carbone and his wife Beatrice have brought up Eddie’s niece Catherine like their own daughter. They do not have children of their own.
The universal truth behind this story is that the innate differences between men and women coupled with lack of communication will cause a marriage to stagnate and become an uneasy compromise. Insensitive and inconsiderate of his wife's feelings, Michael openly admits his attraction to other women. Frances wants to know his true feelings and he gives them to her cold, "I got all this stuff accumulated in me because I've been thinking about it for ten years and now you've asked for it and here it is." (7) He does not acknowledge his wife's despair; he knows he is wrong and yet he feels righteous because so far it has only been a physical attraction. Michael blithely dismisses his wife's pleas for reassurance.
Basically he just wants her to be 'shown off' as little as possible. We could say that this is parental worrying but having the audacity to go to the extreme of thinking of not even giving her a chance to stand on her own feet, clearly eliminates the idea of parental concern. The fact that he states that “The heads are turning like windmills” knowing that those ‘heads’ turn to every woman passing, reflect his jealousy rather than his care. This establishes the idea in the reader's mind that he is 'over-protective' about Catherine in the context of a lover. Having this level of Dominance towards not a daughter, but a niece, is very uncommon in the real world.