How canst I bear welcome in my eyes, my hands, and my words? Murdering this man is a sin against our holy God, and me that also against natural order on Earth. And yet talking to this gentleman reminds me of the spiteful sin. Alas, I cannot look on the king’s face and demeanour. I shall lose my nerve and mighty ambition will take a seat to pity.
Cordelia takes on this role by unconditionally loving her father and furthermore forgiving Lear for banishing her, which is seen when she says “No cause, no cause.” (4.7). Edgar takes on a similar role by forgiving his father for going against him when he was tricked by Edmund and taking care of Gloucester in his blindness at the end of the play. The other characters, however, give into temptation and sin more frequently. Pride, for example, is a prominent sin that affects many characters, Lear being a prime example. Lear's pride keeps him from listening to the advice of Kent, the king's most loyal follower, after he banishes Cordelia and admitting he may have been wrong.
More than these, I think Lear is motivated by his idea that he is a good man. One thing that supports is when Kent says “I’ll tell thee thou dost evil,” (Act I, Scene I, Line 175) and Shakespeare writes the king as reacting in a frenzy, going so far as to say “This moment is thy death,” (Act I, Scene I, Line 190). By portraying the king in this way, Shakespeare causes us to judge him as unstable and mental. While his actions thus far have been rash, him reacting in this way, and him banishing his daughter saying, “Here I disclaim all my paternal care, Propinquity and property of blood,” (Act I, Scene I, Lines 117-118). From these thing, it is made clear that Lear is not only rash and insecure but also thoughtless and stupid.
Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o’er with the pale cast of thought; And enterprises of great pith and moment, With this regard, their currents turn awry, And lose the name of action. ( pg , line 58) This clip would be an Oscar moment because this speech connects many of the play’s main themes, including the idea of suicide and death, the difficulty of knowing the truth in a ghosts unclear universe, it connects between thought and action. In addition to its crucial content, this speech is important for what it reveals about Hamlet’s mind. His passionate nature is complemented by a harsh logical reason, which works to find a solution to his madness. He
Introduction Quality and patient safety is crucial, regardless of what health care setting an individual is seeking care in. For the purpose of assignment I will be forcing on the elderly population who use long term care services. It is important to discuss these individuals in this type of setting because of how vulnerable they are. Their care and needs outweigh what most of these individual are able to afford, resulting in federal dollars to help provide the care that is needed (Barton, 2010). Due to the fact that federal dollars are a major factor in regards to helping these individuals (vulnerable), it is important that these facilities use these resources in an appropriate way (Barton, 2010).
As Brilliance Fell In the poem, “As Brilliance Fell,” by W.S. Graham this is how I interpreted it, that no matter of your brilliance or smartness it all falls someway or somehow. In the line, “As brilliance fell I girded me with voice,” meaning as he, the speaker, brilliance, meaning his words, fall and it surrounds or binds him with voice, which is his conscious. “But always all words waste from inward out,” talks about all words rot like fruit from the inside out. “And I who was fastened to that furious choice,” as this speaks to me saying you have the choice to obtain knowledge.
Foreshadowing is used here as Lear's fool predicted the series of unfortunate events that would take place after his rotten decisions. He literally sinks deeper and deeper into insanity. (end of second paragraph) The conflict between Gloucester, Edmund and Edgar (his two sons) mirrors that of Lear and his daughters in terms of the loss and gain of power. The text depicts an unjust attitude imposed towards
Shakespeare’s ‘King Lear’ reveals the consequences of change as a result of individual action within an Aristotelian concept and structure of tragedy. Lear’s violation of the natural order in the first scene “we have divided our kingdom in three” is a direct challenge to the Divine Right of Kings. This action reveals Lear’s hamartia of hubris which is reinforced throughout the drama. “Which of you shall doth love us most?” His abdication of the throne in order “to shake all cares and business from our age” and his treatment of Cordelia and Kent represent the most unnatural acts of injustice, unleashing strife and chaos on the world and unimaginable suffering .A traditional Aristotelian tragic hero, Lear undergoes dramatic transformation from a egotistical, autocratic ruler to “a very foolish old man”. The process of change can be challenging and can be achieved through a painful and erratic process to enlightenment and humility.
After he abdicates his power, Lear still acts authoritarian and kingly, despite having no real power. King Lear lives in a deluded perception of reality, unexposed to a life with hardships and without absolute power. One example of his deluded reality is that he appreciates the superficial praise from his two ungrateful daughters more than the true but tempered affection of his good daughter. When Lear is denied by Goneril and forced to leave against his will, he is furiously resistant, coping with both the betrayal of his daughter as well as the realization that he lacks absolute authority. The most notable moment of Lear’s madness being reasonable is when Lear finds Gloucester and Edgar in Act 4, Scene 6.
DUKE I am sorry for thee: thou art come to answer A stony adversary, an inhuman wretch uncapable of pity, void and empty From any dram of mercy. ANTONIO I have heard Your grace hath ta'en great pains to qualify His rigorous course; but since he stands obdurate And that no lawful means can carry me Out of his envy's reach, I do oppose My patience to his fury, and am arm'd To suffer, with a quietness of spirit, The very tyranny and rage of his. DUKE Go one, and call the Jew into the court. SALERIO He is ready at the door: he comes, my lord. Enter SHYLOCK DUKE Make room, and let him stand before our face.