History of Tap Shoes The beauty of tap dance cannot be fully presented without the presence of tap shoes. As an inseparable part of tap dancing, tap shoes originated from the African slaves during mid-1600s in America, who’s bare soles walking rhythmically across the wood decks of river boats combined with the energetic steps of the Irish jig and the Lancashire clog. These movements that originated worlds apart, merged and evolved into the tap dance beat. It was not until the period between 1900 and 1920 that tap dance emerged as a dance form in its own right. With it, tap dance shoes were born.
When ragtime has been played on piano, the right hand generally plays a highly syncopated melody , whilst the left hand maintains an “oom-pah” accompaniment, this giving steady beats to feel and dance to music. The ragged music is usually played in duple metre and generally has a moderate march tempo. When jazz began to develop in the 1920’s, ragtime melodies were often an inspiration for instruments improvisations due to it’s recent widely known tunes. Here is when the steady beat, syncopation and piano style of ragtime is
The wealthy with their minuets, gavottes and quadrilles; the middle class with their jigs, reels and clogs; and finally the Africans with their energetic, percussive, into the ground dancing. Together all of these would come together and form what we know as tap dancing. Not all of the blending of these cultures took place on purpose. In families that had slaves, the slaves lived in the house with their masters and because of this; they observed European dances of the plantation owners. They began to mimic their owners in the pompous manners they used to dance and added kicks among other things as they did it.
However, At Meezee’s morning Breakdance Instruction class, the motive here was to practice dance as a recreational form of art, where children to adults may participate in learning the six-step motion in breakdance because of its innate elegance. As breakdancing becomes the post-mainstream to hip-hop culture, the roots of dancing makes breakdancing unmistakably the most vibrant and different from previous pop-culture dance. Portraits and etchings of James Brown were plastered across the walls of the gym studio with frames of James Brown hands on the ground and feet in the air representing classical early history
Clearly he did not just make stuff up as he went along, it was pre –choreographed. Basically The Groove method is a fun way to exercise through dancing (or cool movements for those that are turned off by the word dance) for the health of it. We learnt simple dance moves inspired from hip hop, jazz, krump and breakdance. Then we were able to express those moves in our own way. I got to Groove to cool music doing simple dance moves that I expressed my way.
Cassandra Rodriguez 07-22-10 Belly Dancing Alicia American Tribal Style American Tribal style belly dancing can be part gypsy, part Moroccan, part Egyptian, and part Algerian. Basically the American style came bits and pieces of all the other styles of tribal dancing. The modern style of Belly Dancing was created by Fat Chance Belly Dance director Carolina Nericcio. Fat Chance is in a way a word for “mesmerizing”. The performers that do American tribal perform with such confidence and such elegance.
There is an expression of freedom through this way of celebrating life and as viewed, dancing erased all boundaries between classes. An example of mixing the social classes in the film is depicted by Gil, an average man, dancing with such famous people. The New Woman is also really well shown in this theme of the 1920’s. an example would be, Adriana, who is not traditional woman but rather a product of her age. 2.
Moreover, each band also used specific techniques in their music to gain attention from a variety of ethnic groups and often promoted dancing during the band’s performances (Starr, Waterman, 2010). Although, swing and Tin Pan Alley bands had similarities, the bands’ rhythm and style varied in their performances (Starr, Waterman, 2010, p. 131). For example, while Tin Pan Alley bands style was professionally organized (Starr, Waterman, 2010, p. 74), swing bands performances were sometimes less formal due to the lack of educational experience (Starr, Waterman, 2010, p. 132). In addition, instead of depending on educational structure, swing bands often arranged their melodies during practice (Starr, Waterman, 2010, p. 132). Next, some swing bands used certain tools to enhance specific sounds in brass instruments to entice audiences’ involvement (Starr, Waterman, 2010, p. 135).
It was recorded on August 22, 1938 by Decca Records, whom he had a record deal with. I would consider this piece’s genre to be Big Band Jazz/Swing with a medium/fast tempo. The detailed dynamics, syncopated rhythms, and up-tempo swing really add to the excitement of this tune, which is in the musical form AABA. The song starts off with a 2 bar piano intro which gets the rhythm flowing and lets sections continuously join in, and is followed by four 32 bar AABA choruses. The soloing instruments seem to be the tenor saxophone, piano, trumpet (sometimes muted), and more saxophones.
Jazz Chant Tidbits Posted on July 22, 2010 by Fritzie Soronio| 6 Comments Almost anything can be jazz chanted. If you got the rhythm correct, you can’t help but move because of its rhythm. This rhythmic quality in jazz chants is its distinguishing mark from speech choir. Speech choir is merely reciting a piece. Jazz Chant is delivering a piece in a fast rhythm.