Ispahan Carpet Essay

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Ispahan Carpet Unseen Commentary 2 – Ispahen Carpet “Ispahan Carpet” by Elizabeth Burge exposes the interminable poverty cycle of a family of Persian carpet factory workers, wherein the speaker uses cadaverous images to describe the world around them and reveals how their constant struggle to break free from the clutches of poverty has left them in a state of spiritual comatose. The first person narrative illustrates the point of view of an outsider who has been deeply saddened by the working conditions of the young children, especially emphasising on the girl child. The fact that the poet emphasises on the carpet in the title, in a poem where she is highlighting the ignorance of the people who are oblivious of the cumbersome work that goes behind these beautiful carpets not only adds ambiguity to the title, but also irony. The poet begins with a very negative image of “gallows” which is used to execute people and hence showing the grim setting of the work place. The carpets are very intricately designed with gentleness and hence the use of the adjective “rough” highlights the juxtaposition implied. In the next few lines the poet uses alliteration, “silent, sallow”, “bare but for blackened pots and jars” to add to the act of weaving and it also generates a serene mood in the reader’s mind. The use of the “flickering fire” fricative is initially assumed to show a sense of appreciation and warmth for the family who weave these carpets, but only later it is known that the fire merely adds to the beauty of the “sensuous jewelled arabesques”. The use of the adjective, “flickering” is to lay emphasis on the patterns, intensifies the lack of recognition for the weavers, as seen in the lines, “shadowing the makers of the webs”. Burge has made definite links of the light and dark imagery to help the readers visualise the setting better, as seen in
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