Well, let me set you all straight: not every Chick Lit book is a winner; some of them really are boring, predictable and just a plain waste of time! However, some earlier novels are exciting, light and frankly a breath of fresh air for anyone who wants escapism with a practical sense of reality. And as the genre evolves, the standard of writing has too. Writers such as Lindsey Kelk and Scarlett Bailey stride ahead with novels that are glamorous but realistic and genuinely get their audience excited about what they are reading. Sub-genres such as; “Marriage Lit” and “Christian Lit” have started springing up across the literary
NOW explains that their endorsements are intelligent, well-rounded authentic women, but Fazzone wants to know if they are really women who bask in the sex object role, and what are the shows NOW endorses are really about? Felicity was the third-most feminist show in NOW’s “Feminist Primetime Report,” yet the women would do anything for the crush she followed to college. For example, in the show, once a week, Felicity would revolve her life around the same guy. The other shows that were ranked high in NOW were heroines they stated as one’s who “broke out of the sex object role,” but Fazzone explains that instead these “heroines” are empowered only because they’ve decided that what really drives female power is sex. How authentic are these actresses that NOW endorses, Fazzone questions.
She states in the first paragraph “… I haven’t noticed any women like me on television…” yet her next paragraph is centered on a television show about a woman with MS. Mairs tries to redeem herself by describing how this woman’s emotional weakness, for running back to her doctor/love interest, is inaccurate, but that is mostly a sexist representation of women and less a misrepresentation of the disabled. Mairs continues the rest of the essay in her mostly hostile fashion. She tosses in many rhetorical devices to the reader which, admittedly, makes her feel somewhat relatable and real. Her informal style of writing makes it seem like she knows her reader on an intimate level, therefor you are more inclined to accept her statements without evidence, succumbing to her requests for disability to be viewed as normal. She wraps up her essay
Oates places beautiful Marilyn Monroe against the background of a used bookstore to accent how foreign the girl-poets take her to be. In the first two paragraphs of Three Girls, Oates describes the Strand Used Bookstore as dark, dingy, unorganized, and unrefined (77). Whereas, later on in the story, Oates describes Marilyn Monroe as the leading lady, attractive, and charming, even though she is dressed in men’s clothing with her blond hair in a braid (78). Even when the girl-poets describe Marilyn Monroe as “more resembling them, then she resembled her Hollywood image,” she seems to be out of place in the Strand (79). The girl-poets wonder, to themselves of course, why the Marilyn Monroe would be browsing through used books, when she could be walking through the Waldorf-Astoria (80).
In her view, a backlash against girls is taking place, led by scholars and authors who are sometimes critical of Gilligan's research methods and conclusions. "At a point when people have started to look at girls and see their strength, suddenly this comes up," she has said. By "this," Gilligan means the explosion of "mean girl" books and movies, portraying girls as equally as—if not more—aggressive than boys, in their own conniving and manipulative way. "I don't know if I'd call it a backlash," says Marnina Gonick, Penn State education and women's studies professor, "but I would agree that the mean girl idea is troubling. I'm especially critical of the way these problematic relationships between girls are represented in the media."
The freedom women once felt turned into a life of fear. Riverbend shows many feminist views throughout the novel, but more so a view of a woman wanting peace and equality for both sexes in her country. Riverbend’s life changed drastically because of the war on terror and led to changes in gender issues, in her daily life and professional life. The United States only aided in further oppressing Arab women by not being fully
The Girl with the Dragon Tattoo: The Original Movie Disgust is one of many adjectives used to describe The Girl with the Dragon Tattoo; it is easy to understand why so many feel sick about the murders, hate, and deep sadness it drags the characters through. This movie is derived from the Millennium trilogy by author Stieg Larssons. The Girl with the Dragon Tattoo is the first of the series leading each sequel of Millennium trilogy made into film by Danish director Niels Arden Oplev in 2009 with the later two of the series to follow by director David Alfredson. (IMDb) The main character is twenty-four year old Lisbeth Salander, a battered individual since childhood, who will stop at nothing to revenge the abuses against her and other women, she partners up with journalist Mikael Blomkvist to find justice for a Swedish family on the secluded island of Hedestad, off the cold northern mountains of Sweden. Blomkvist himself is waiting to serve a three month jail sentence for a journalism case he was wrongly accused in.
“I Know Why the Caged Bird Cannot Read” Critic and editor, Francine Prose in her argumentative essay “I Know Why the Caged Bird Cannot Read” strives to encourage high schools to give more difficult books to students so they can learn and grow. “Given the dreariness with which literature is taught in many American classrooms, it seems miraculous that any sentient teenager would view reading as a source of pleasure”(Prose 89). Prose embraces an abrasive attitude towards her topic in order to introduce her purpose, and she uses ethos and logos to convey her message. Prose's essay begins with her giving background knowledge about herself to her audience. By being a parent, as well as a teacher this develops a sense of credibility and allows her audience to believe what she has to say.
There are many points made that can clearly push the overall answer one way, or another, its just about balancing out the positives and negatives. Cullington explains that texting can potentially hurt formal writing, but is proven to have no positive or negative affects in the long run. There are many concerns about text speak and formal writing. Cullington talks about how teachers see a decline in writing and are having problems in class because of text speak. “A Minnesota teacher of seventh and ninth grades says that she has to spend extra time in class editing papers and must 'explicitly' remind her students that is is not acceptable to use text slang and abbreviations in writing” (Cullington 89).
Advertising is one of the most compelling messengers in a culture that can influence an adolescent. In the article by Kilbourne, she starts out by making a great point. She says, “ Adolescents are new and inexperienced customers- and such prime targets.” I agree with her statement because in many movies, magazines, and television shows targeted towards teenaged viewers, the “ideal” body type is constantly portrayed. I’ve noticed that in many cases, it’s the main character whom everyone envies because of her beauty. In magazines, the “ideal” body type is always on the cover so teens wont be able to miss it.