The Influence of Social Drives in the Lady with Lapdog

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“The Lady with Lapdog”, by one of the masters of playwrigt; Anton Pavlovich Chekhov, is a significant short story which deals with emotional fulfillment within the characteristics of romanticism, challenging the routine of the social conventions of the society. Chekhov is commonly recognized as the most significant writer of the literary generation that ended the Golden Age of Russian authorship – the era of seminal novelists like Leo Tolstoy, and Fedor Dostoevsky – and began the Silver Age – when the Russian symbolist movement flourished. (E-Notes 2008) This dramatist avoids the obvious struggles, the time-worn commonplaces and well-prepared climaxes that go to the making of most plays; he rather spreads out the canvas for our contemplation, not seeking our sympathies for individuals, but showing us merely the spectacle of humanity as he sees it. (Bellinger 1927) The characters; Dmitry Gurov, a married man under forty, and Anna Sergeyevna , a married woman, fall in love with each other, which was strictly contradictious to their time. As opposed to the classical rules of the society, the characters regard self-pleasure and individual freedom as to have priority over social rules and conformity. Although both Gurov and Anna have their own families and responsibilities, they seek for inconvenient love as far as the society is concerned. The plot encompasses the properties of the Romantic Movemenet, which is charactarized by an emphasis on emotion, passion, and the natural world. (Foster 2008) Both characters meet their emotional fulfillment within the boundaries of romanticism, destroying the routines of the social terms. Gurov and Anna are forced to “hide themselves from people, like thieves!” (Chekhov 1899) due to the social pressure. The common
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