------------------------------------------------- Word Group 1 Quiz Word Roots Circle, underline, or highlight the word root in the word in column one. Write the meaning of the word root in column two and write your own example word in column three.. Circle the word root Meaning of the word part Your Example Word 1. amphibious _____________________ _____________________ 1. absent _____________________ _____________________ 1. advance _____________________ _____________________ 1. ambitious _____________________ _____________________ 1. ------------------------------------------------- animated _____________________ _____________________ -------------------------------------------------
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Throughout In the Skin of a Lion, Michael Ondaatje thoroughly develops his post-modernism view of heroes, villains and the conflicts that arise from their choices. Heroes in Ondaatje’s post-modernism view are not as obvious as traditional heroes, but instead are subtle in thier acts of heroics. They are neither rewarded nor viewed in the traditional sense; Ondaatje’s heroes are not remembered in the grand narrative, however the rich and the powerful are memorable. Patrick Lewis and Cato are viewed as heroes in the novel, whereas Rowland Harris is the villain; they all influence Ondaatje’s umbrella themes and central conflicts. Patrick Lewis’ heroism throughout the novel derives from his curiosity and desire for knowledge.
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Underlying the creation of particular characters in texts are broader ideas about what defines femininity and masculinity. Discuss the ways in which such assumptions inform the construction of male or female characters in the novel Cloudstreet. “Gender, like the history of many cultural attitudes as well as physiological responses, is a history of changes by which previously successful ways of engaging with the world become increasingly irrelevant to new conditions”1 Leo Braudy, Professor of English: University of South Carolina Despite being a universal topic, gender itself is culturally and historically dependent. Characteristics of masculinity and femininity are naturalised in almost every society, but differ based on diverse environments, values and changing time periods. In literature, these assumptions come to underpin the construction of key characters.
Influences on Montag’s Character It is hard to find the courage to stand up for what you believe in, even for a person with a tremendous amount of bravery. In the novel Fahrenheit 451 by Ray Bradbury, Guy Montag was able to stand up and rebel against society with the help of quite a few characters. Throughout the novel, Ray Bradbury introduces characters to change Montag. Clarisse, the unidentified old woman, and Faber’s effects on Montag led him to his decision of preserving books rather than destroying them. Clarisse acted as a trigger in Montag’s character change by asking him thought-provoking questions and telling him about things he never noticed.
A Reality Check With the use of symbolism, Aldous Huxley creates a beautiful novel that in essence warns his audience of the future. Huxley’s clever use of symbols in the Brave New World, is often apparent, but just as often, they are deeper and less apparent. With his satirical references to sex, drugs, technology and the naming of his characters, Huxley relates his novel back to his readers and their future. Without recognizing these symbols, the readers could find this novel confusing and ridiculous; but with each symbolic object and person comes a clearer picture of what Huxley us really trying to convey. When reading the Brave New World, the sexual references are often the first things that stand out to the audience.
Rationale In order to demonstrate a wider range of comprehension of the novel “A Brave New World”, I decided to write a diary about Bernard’s position throughout the novel, which shows a carping yet courageous voice that demands to be heard. Nevertheless, his desires change as power and prestige comes to him, creating an inner conflict on the character. Considering Bernard´s reality as an Alpha individual, it is noticeable that a formal and intellectual tone prevails as the diary entry develops, and intends to approach critical readers whose interests lie on exploring Bernard´s personality. In the diary, I aimed to use a first-person language with a technical structure adopting phrases like “They know me as dangerous subversive”, in which
Because myths are linked historically not just to literature, but also to the experience of the sacred, their use has the effect turning an experience sacrosanct (Clasby xi). The two texts, Wild Thorns and Waltz with Bashir: A Lebanon War Story are imbued with various myths, of heroism and martyrdom, nation and national identity, and the motherland and revolution. Though the myths in the story are born out of a historical and political necessity to create a unified community, the same myths are also far removed from the lived experience, often alienating characters instead, and limiting the exploration of different possibilities and interpretations of history and nation. Myths, as the chosen form of communication of “prophets, poets and rebels” (Clasby xv), offer a symbolic language for articulating experience that can be used as a narrative of the experience of a people. In the light of the fact that many scholars see “modern consciousness” as a fall grace (Clasby 1), myths elevate the ordinary experience to the sacred (Clasby xi).