Readers know she made a major impact on him, because at the beginning of the book, he said, “It was a pleasure to burn” (3), but later said, “There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing” (51). This shows how influential Clarisse was on Guy while she was still there. She also made him realize that he was not actually happy in life; he does not like his job or love his wife. He even said that he doe not think that he would cry if she dies.
She is first perceived as a weak character who Iago says keeps many thoughts to herself: "She puts her tongue a little in her heart," meaning that many of her most critical thoughts remain unsaid. Even Desdemona has to encourage her to speak. This silence throughout much of the play may be one cause of her drastically changing at the end. Initially Emilia sets out to please Iago without question, as this was her role as an Elizabethan wife, however at the end she speaks against him when she realizes his true intentions. Her change at the end of the play could show that she’s isn’t an outsider, as she now has her own opinion and her own voice like many of the other characters within the play.
From the beginning when we were first introduced to Dee, we find that she has changed her name to Wangero saying that Dee is “dead” because she didn’t think her name, Dicie, had any cultural significance and so she choice a name she felt suited her more. She says she couldn’t bear being named after people who oppress her. She has no connection or respect with her family. This is sad because she doesn’t like who she once was. Although she has learned a lot from her schooling and has a better knowledge than her mom & sister, I feel she possesses this know-it-all attitude about what heritage really is.
Antigone believes that without burying her brother he will not have a good after-life. Antigone even goes as far as burying him twice. Antigone is more admirable in that she is not selfish. She cared for her brother so much that she would go through all this trouble to give him a good after-life. She wanted to marry Haimon but sacrificed this to bury her brother.
“I won’t be thrown out. I won’t have you cast me out.” “I wouldn’t have fed you and washed you if I’d known you were going to steal my husband” (Hosseini 202). Laila also bears most of the problems, though Mariam has a fair amount, they are quickly forgotten, and Laila’s complications set in just as fast. In some aspects of Laila’s life, she remains relatively static throughout the story, but in other aspects, shows a great deal of change. First and foremost, she learns the importance of family bonds.
Manka would fight for what she believed in and would do anything to get what she wanted. She loved her husband very much. Mrs. Mallard was very weak and the author showed this by talking about her weak heart. She did not seem to love her husband and was glad to be free from him at last when she thought he was dead. Had she have been as strong as Manka and did not want to be married, she would have just left her husband.
The evil that I felt was portrayed in Charlotte Temple is not the independence Charlotte wants, but the realization that she can’t get her independence happily without the financial and emotional assistance that others can give her. She even admits her confinement to being reliant on others after the letter from her parents. She says, “I will not wound the hearts of those dear parents who make my happiness the whole study of their lives…"(Rowson 46). This evil element of trying to discover her own independence taunts Charlotte throughout the text. Charlotte Temple, by Susannah Rowson was popular in the 19th Century simply because it was just that; simple.
/ This is number three (Plath 21-22).” In the poem she describes the two previous attempts at killing herself when she says “The first time it happened I was ten. /It was an accident. /The second time I meant to last it out and not come back at all (Plath 35-38)”. She describes death as “an art” that she does “exceptionally well” (Plath 43-45). The narrator is clearly miserable with her life and considers suicide to be the only solution.
In my opinion, when the writer states that teenagers dare to involve with death threats, I am disagree. Actually, having a favourite idol will make them think wisely before doing something dangerous that of course may harm them. This is because they take the good examples of the idol as their spur to move on their life. Many girls admitted Bieber gave them support through unpleasant times like parent’s divorce, loss of someone close or just the hardships of being a teenager (William, 2011). In the second idea, I am agree with the writer as he states that girls incredibly wrapped up in relationships that are in reality are nothing but fiction.
When having heard an owl, she cries ‘Hark, Peace!’ This remark shows you that she is jittery, as on a normal occasion she wouldn’t have even noticed the owl because based on what we know of her character so far she isn’t the jumpy type of person. It’s also slightly ironic how she calls out for ‘peace’ because you automatically make the connection to god’s peace: whereas the audience all knows she is damned. You also surprisingly see a psychological vulnerability in Lady Macbeth. She tells Macbeth that Duncan ‘resembled my father as he slept,’ and if it weren’t for that she would have murdered him herself. This is wildly contradicting her cold persona.