Although, it only an illusion reinforced throughout the poem, along with its irony and sarcasm that is ‘The old Lie; Dulce et Decorum est Pro patria mori’, it is not sweet and fitting to die for ones country. But it is the death and horror brought to peoples lives. The truth is revealed through this description of a battalion returning from the frontline, wounded, exhausted, or even dead. As the
In the first stanza, Owen presents the idea that the personal struggles faced every moment on the front line are extremely underestimated, immeasurably terrifying and “obscene”. It seems more realistic when the story is told from a first person narrative; it allows us, the readers, to imagine what it would feel like if “we” were in the trenches and fighting on the front line. That understanding makes us realise the cruel situation that was, for them, an everyday occurrence from which they had no escape. The determination of the soldiers that they “limped on” even when they were “asleep”, “had lost their boots”, were “lame”, “blind”, “drunk with fatigue” and “deaf” to their “distant rest” makes it almost seem as if they were unbreakable; their defiance against anything thrown in their path was god-like and shows an unwavering sense of honour, as they “marched” and “cursed through”, for the fate of all those left at home. The distant rest could represent the end of the war, so far out of their sight, or the release of an untimely death.
Owen compares soldiers fighting in war to sick old men because it shows that soldiers are like outcasts from society. At the top left of the poster, the image shown represents the difficulty and the terrible physical outcomes, soldiers found travelling on ground particularly in sludges as Wilfred Owen states in the first stanza: “Knock-kneed, coughing like hags, we cursed through sludge” The use of the word Knock-kneed is alliteration for emphasis, a hard, staccato sound to echo the harsh mood of these lines and soldier’s misery. It stresses echo the brutality of the soldiers’ destruction, their transformation from healthy young men into ‘beggars’ and ‘hags’. The use of the word coughing compares men to sick women, showing how they are unrecognisable; they have lost their masculinity, youth, health and therefore are now deemed to be outcast’s within the society. The word sludge is onomatopoeia to imply how heavy and difficult the ground is to cross for soldiers.
Mental Cases was written to demonstrate the mental consequences of war on participating soldiers in World War I. The subjects of this poem are the inmates in a military hospital. The poem displays a part of the war that to some civilians can be considered worse than losing your life, losing your mind due to shellshock. Owen describes how they are now forced to re-live the terrible acts that they have witnessed on the battlefield. The mood of the poem is one of fury, this is shown throughout the poem with the use of imagery.
“Dulce et Decorum Est” By Wilfred Owen Critical essay – Callum Kaczynski “Dulce et Decorum Est” is a truly inspiring poem written by Wilfred Owen. As a former soldier, Owen’s poetic exploration conveys the shocking reality of war, and his anger towards the destruction and devastation it causes. The physical state of the soldiers after war creates a pitiful sense of despair. “Bent double, like old beggars under sacks.” This simile shows that they may be seeking desperate help, rest, peace and shelter. At one point they were young, fit men, and now they are worn and weak.
In the novel, ‘Regeneration’ by Pat Barker, the themes of horror and futility are significantly explored. As a result of the horrific events in the war, many soldiers developed psychological problems such as shell shock. In effect, many soldiers such as Siegfried Sassoon reacted against the war and the fact that it was futile, as the motives turned from ‘a war of defence and liberation to a war of aggression and conquest’. In his war poetry, Siegfried Sassoon shows the horrors of war through vivid imagery, and the futility of war, as non combatants such as civilians and generals do not understand what the soldiers experience at the front. In many ways, Barker’s ‘Regeneration’ contrasts with Sassoon’s poetry, due to the fact that the novel is written in the 20th Century, where the characters recount their horrors of war in the safety of Craiglockhart Hospital.
Ironically, he uses religious references to convey ideas but his beliefs are essentially based on his own occult and anti-Christian theories. The poem prophesies a world that is literally spiralling out of control through great wars and anarchy. While the Europe and the rest of the world was trying to recover from World War 1, Yeats saw great social struggles around him and in this poem, he depicts a world spinning out of control. The first stanza describes the conditions that are present in the world and depicts a gradual loss of control. ‘The falcon cannot hear the falconer’, the use of the particular bird, a falcon, a powerful force that has escaped its master.
‘Coughing like hags’ the conditions was not great in the trenches in World War 1, it was full of diseases and the weather conditions would make fighting a great deal harder. ‘We cursed through sludge’ Owen must have written this at a time when the weather was raining as the trenches filled up with mud and water up to the soldiers knees making it harder to walk. ‘GAS! Gas! Boys!
Dulce Et Decorum Est – Wilfred Owen Wilfred Owen’s poem, Dulce Et Decorum Est is a tendentious poem about the harsh realities of World War I; throughout his poems he shows his hatred for the Generals and commanding officers. In this poem he describes his memories of physical horror, and how many soldiers had been mislead about the “glory” of war. It should also be noted that this poem is in first person, and Owen is recalling the event, also the event in just one moment of time. The poem is split into four different stanzas, in the first stanza he shows how weak the soldiers were due to the horrific effects of the war. In the first line he starts off by using a hyperbole to show how badly the soldiers were affected: like old beggars under sacks, this shows that even though these men were supposed to be the ‘cream of the crop’ so to speak, they were being compared to beggars under sacks.
For Owen, the anguish brought about by war is manifest within the wretched psychological state of the soldiers embroiled in conflict. Owen depicts a view of the war that is undeniably bleak, illustrating a conflict that ensnares its combatants within a vacillating state of dull monotony and high tension. Within “Dulce et Decorum Est”, the reaction of simply “turning their backs” evidenced by the soldiers trudging in the “sludge” in response to the “flares” of the artillery, conveys a sense of their mental desensitization in the face of the repetitive nature of war. Rather than a more natural response of surprise and even alarm, these soldiers exhibit a startling boredom and disconnection from their reality. Here the descriptors “blind” and “deaf” – conditions that affect them “all” – are particularly apt; it is as if their mental faculties have been entirely dulled by a sordid routine of “coughing”, “fatigue” and the abrupt interjections of “Five-nines” dropping a knell of death behind them.