Petruchio, a wealthy and unmarried gentlemen from Verona, wishes a wife. Katherina is incredibly ill tempered and somewhat childish, however her large dowry is an irresistible temptation to Petruchio and he marries her against her vicious protests; however, due to her unfavourable temperament, he soon finds everything about her displeasing(?) and begins to ‘tame the shrew’. This taming is unconventionally achieved by (and so adequately described as) "kill[ing] a wife with kindness" (4, 1, 174). “I pray you, husband, be not so disquiet.
William Shakespeare’s “Romeo and Juliet” explores true love in amongst feuding families whilst exploiting the notion that deception leads to catastrophic misfortune. The young poetically portrayed Romeo’s inability to control unchecked emotions, directs him to being disloyal amongst family and his “star crossed [lover]” Juliet. Furthermore, Juliet’s love for “(her) Romeo” causes her to turn a blind eye to his disloyalty and hastily act on his “banished”, through these actions she uses trickery to deceive her family and because of her love affected decisions. Friar Lawrence along with the nurse, cause confusion for the hasty lovers which renders to heightening the family’s feud. Shakespeare presents the concept that deceptive decisions lead to tragic events.
Beatrice is cynical and witty; she doesn’t conform when it comes to the role of women in Elizabethan time. In terms of how males view females, there is a theme of cuckoldry (men who married unfaithful wives). This is shown in the first scene when Leonato confirms that Hero is his daughter, ‘Her mother hath many times told me so’, a joke at her expense, implying she is unfaithful to him. In a conversation between Claudio and Benedick, they talk about Hero. Claudio asks if he ‘noted’ her, Benedick tells him he did not, but he ‘looked on her’.
(Stabs herself) There rust and let me die.”-P. 579 lines (169-171). It’s really sad that all of this could have been avoided if Juliet would’ve just left with Romeo or if their families gave up their hatred for one another. Throughout Romeo and Juliet, Romeo and Juliet’s personality drastically changes. At first Romeo was love-sick and Juliet didn’t want anything to do with marriage. Then they meet, fall in love and get married.
Zeffirelli exceeds in this category as well. When Hamlet was speaking with his mother, the disdain is jumping off the screen. Hamlet attacks his mother and is so wrought with passion and vengeance that he kills Polonius mistaking him for Claudius. This depiction of Hamlet is accomplished in displaying the Passion Shakespeare aspired for. Next, in the scene where Hamlet is essentially breaking up with Ophelia his passion for her is portrayed.
The readers introduction to Hamlet and King Claudius occurs in Act I Scene ii where the King explains that he has married his sister in law with mixed feelings but he believes Hamlet’s mourning should seize, to which his nephew replies with disdain and offense. This sets the mood for the relationship between the two characters as well as set Hamlet up for his first soliloquy, seen in Act I Scene ii line 133 O, that is too too solid flesh would melt Thaw and resolve into dew! Or that the everlasting had not fix’d His canon ‘gainst self-slaughter! Oh God! God!
We have already seen Hamlet express his thoughts about his mother and her marrying “My father’s brother, but no more like my father Than I to Hercules.” (1.2.154-55). His anger towards women is obvious and clear to us, and he even goes so far as to use the analogy “Must, like a whore, unpack my heart with words” (2.2.597). I will argue that even in the context of Elizabethan England when women were seen as little more than property, Hamlet ascends such simple sexism expressed in those times to sculpt himself to the most misogynistic character in the entire play, from the loathing of his mother to his condescension of Ophelia. Hamlet’s misogyny may very well begin with his thoughts about his own mother. Early in the play we first see Hamlet as a young prince who has just lost his father.
Hamlet’s grief over his father sudden death is intensified by his mother’s hasty marriage to his uncle whom he considers inferior and venomous naturally. He denounces her disloyalty in the words, “frailty thy name is woman”, and juxtaposes Claudius’ inferiority to his father’s greatness in the image of “Hyperion to a satyr”. Furthermore his allusion to Niobe and the contrast between her mother’s “galled eyes” and her “dexterity to incestuous sheets”, serve only to accentuate his
Although it was Hamlet who wooed her, and with whom she was intimate it is Hamlet himself who later chastises her for her impious actions. “Get thee to a/nunnery, go: farewell. Or, if thou wilt needs/marry, marry a fool; for wise men know well enough/what monsters you make of them. To a nunnery, go,/and quickly too.” (III.i.131), he commands her, leaving her without a response. By saying these words to her he is crassly calling her a harlot, and making to appear that he never really loved her.
Park 1 18 December 2013 Thy King, Thy Lord, Thy Soveriegn In the play, Taming of the Shrew by Shakespeare, a prominent character by the name of Katherine is a shrew in the beginning but after her marriage with Petruchio and his determination to tame his wife, in the very end she delivers a speech condemning Bianca and the Widow for not fulfilling their duties as wives. Shakespeare’s diction, imagery, and organization convey a condescending manner as Katherine addresses the wives and an adoration manner when addressing her husband as she openly states that she is willing to submit herself to her husband. In her speech, Kate uses a condescending tone when talking to the wives because they did not come when their husbands asked. In the beginning when Kate drags the wives to their husbands she tells them to “dart not scornful glances from those eyes” and to “unkit that threat’ning unkind brow.” By ordering the wives around, Katherine shows that she is in a higher position than them and therefore has the right to look down on them for their actions. She calls the women “foul contending rebel[s]” and “graceless traitors” to their husbands.