How Does Sebold Use Representation of Speech and to Her Stylistic Techniques to Present the Character of Grandma Lynn in the Novel?

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How does Sebold use representation of speech and to her stylistic techniques to present the character of Grandma Lynn in the novel? It is clear from the start that the character of Lynn is to be perceived as a flamboyant and abrasive character, though still has a caring element, although this does come about in rather an unorthodox manner, this emphasises Lynn’s eccentric nature. From this episode the audience witnesses the beginning of Lynn’s mission to turn the grieving house upside down with her wild behaviour and give the Salmons the thing they need most: that there is life without Susie, with her abrasive personality providing the audience with subtle humour. In the novel, we are first introduced to Grandma Lynn in a way which suggests she lives glitzy lifestyle, “She liked to hire limousines and drive in from the airport sipping champagne while wearing what she called her ‘thick and fabulous animal’”. Due to this being the first thing we are told about Grandma Lynn and the fact we are told this is in fact her ‘usual style’, the reader can infer that this is the first thing that people see when they notice Grandma Lynn, and this is also the first thing that Susie remembers of her Grandma. However, the novel goes on to say that it is “- a mink from a church bazaar.” Because this is positioned at the end of a long sentence, it also suggests that Sebold chooses to emphasise this point that she is quite brassy- the novel tells us she hires her limousines, this shows that Grandma Lynn is ostentatious, and enjoys being the centre of attention. Another factor we can also pick out about Grandma Lynn is that she seems to be very unreserved. Limousines and Fur coats have connotations of luxury and wealth, however we are told the limousines are hired and the Fur coat is from a church Bazzar. The fricative sounds produced by 'Thick and Fabulous' suggest that
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