It represents him as almost inhuman as he has more serpent-like qualities. What is also interesting about this, is that he admits to the fact he is ‘a ful vicious man’ yet ‘A moral tale yet [he] you telle kan’. There are alternative responses to his confession, on one hand it shows the awareness of his wickedness and yet in spite of his character can achieve goodness but on the other hand it could be showing pride in the fact he is as sinful as he states. He is shown to be proud of his contradictions which in turn create irony because he is a man that is proud of his deception. This pride is carried throughout the tale due to him being confident enough to preach false vows and sermons to the people of the towns he visits.
Iago’s mendaciousness scorched Othello’s sanity beyond repair. Iago’s villainous behavior and Othello’s radical demeanor both stand for part of every man in contrasting ways. Each if those qualities is regrettably embedded within each of us. The qualities he thrives on throughout Othello, by William Shakespeare, are the ones we’re most ashamed of. In his soliloquy in Act 2 Scene 2 Line 380 he’s especially brutal towards Desdemona in his plans showing no shame what so ever.
1) Explain what is meant in the bible by the phrase ‘God is good’. (25marks) Firstly, we must understand what is meant by ‘good’ well good is that which is morally right. With God it is said in the bible “oh give thanks to the lord, for he is good; for His loving-kindness is everlasting (Psalms), another way is the 10 commandments which shows God setting the standard of what is morally right and wrong. Another way of showing of how ‘God is good’ is by creation in genesis 1 and 2 which shows God either creating the world or how he is crafting everything, also in the bible of how God has preformed miracles and in todays society. In the bible there are many passages, which say ‘God is good’ for example in James ‘every good thing bestowed and every perfect gift is from above, coming down from the Father of lights, with whom there is no variation, or shifting shadow’ this is clearly saying that God is the source of goodness.
Pray can I not, Though inclination be as sharp as will. My stronger guilt defeats my strong intent,” (III.iii.36-40). Claudius opens his soliloquy in a way that almost makes the reader feel sorry for him. A confession of his own immoral behavior to God that stems from a deep conviction. This is proof that Claudius is in a battle within himself.
Iago is often classified as the embodiment of pure evil to the farthest extent capable of being reached by human. Both Claudius and Iago plot against, torture, and cause the downfall of other characters in their respective stories to create and upkeep a boastful reputation. Both characters know that what they are doing is considerably wrong, but only Claudius feels any remorse for his crimes. They both recognize in soliloquy what they are doing and even discuss with themselves further planning. Iago manipulates all the crucial components of his plot with ease, while Claudius on the other hand is discontent and unhappy with the events taking place.
He is half correct in his statement as a theist does not believe in the proofs individually, but finds enough evidence in them to form the belief that God does exist; He is the creator of the universe, and He is morally perfect. McCloskey touches on faith in his article. It is defined by Tillich: as the state of being ultimately concerned as claiming truth for concern, and is involving commitment, courage, and the taking of risk. Theists have faith in God, and treat Him as the most important person in their lives. To have faith in someone on past knowledge, according to McCloskey, is reasonable however; it is unreasonable to have faith in God as we have no past knowledge of God.
We [people] enjoy the blessings of the Covenant as long as we obey God’s commandments and do not have to face his punishment. New Covenant - Jeremiah 31:31-33; Unconditional The New Covenant is the culmination of God’s covenant with Israel. It is viewed as God’s policies of administration. It renders obsolete and succeeds the old Sinaitic Covenant that served as the manual of procedure for carrying out the moral, civil, and ceremonial regulations relative to rational Israel. Some features of the old are carried into the New [Living] Covenant.
The narrator describes Claggart by stating, “his complexion…though it was not exactly displeasing, nevertheless seemed to hint something defective or abnormal in the constitution and blood” (qtd. in Smith). Smith helps explain that it’s not hard to tell that Claggart is evil because his appearance signals the other characters and reader about his evil nature. Typically, people relate outward appearance to inward characteristics, motives, and values, such as in Claggart’s case. Claggart’s evil-minded nature with “something defective or abnormal in the constitution and blood,” has always been present to destroy the plan of
The veil that was supposed to make Mr. Hooper an idea turns him into a symbol of evil causing him to further treasure sin. Because of his own arrogance, the veil corrupts him and projects him as a source of evil. While unsure of what specific lesson Hawthorne was trying to teach in writing his parable, many ideas can be gained from this story. The most important that sticks out is that one is enlightened to the fact that we all are guilty of sins and should be able to admit to them. We are taught that one consequence of guilt, hypocrisy and arrogance is displacement from
After all, Satan stands for all that corrupts the human world, he is humanity’s adversary, the manifestation of evil. However, the portrayal of Satan’s actions and demeanour in the text makes comparison with the traditional epic heroes viable, at least from a technical perspective. What defines an epic hero? An epic hero could be a distinguished warrior or a leader but more importantly an eloquent speaker who can influence greatly by the means of his address. He undertakes a quest, embarks on a perilous journey which tests his endurance, courage and cunning.