In what ways does a comparative study accentuate the distinctive contexts of Frankenstein and Blade Runner? The values and morals of society have dramatically changed throughout the course of history, so too has the knowledge of science, its teachings and influences on the world. As new technologies have been under further experimentation into the production of man-made life forms, the debate between science and religion has continued. It is these issues within an author’s context that influences them and the texts they create. Mary Shelley’s gothic promethean novel, Frankenstein (1818), was released during the industrial revolution as romanticism was thriving, while Ridley Scott’s futuristic sci-fi Blade runner (1992) grew with the dawning of a capitalistic increasingly globalised and technologically driven society.
Mary Shelleys 20th Century text Frankenstein, and Ridley Scotts 19th Century text Blade Runner, share a variety of similarities and differences that are represented though the use of particular issues arising throughout both texts. The context in which the texts are written also have a major effect on the similarities and differences within the issues of nature, 'man playing God', rights of the creations, responsibilities of the creators, humanity and even companionship. The contexts in which these two texts were written differ from each other immensely. With Mary Shelley’s ‘Frankenstein’, it was written during a time of great change and upheaval in Europe with issues such as the questioning of religion and the state, Rise of Romanticism, Feminism and even being in the Midst of the Industrial Revolution, Whereas with Scott Ridleys 20th century ‘Blade Runner’, it was filmed in a time of great technological and medical advancements. The Blade Runner context is the science-fiction dystopic future of Los-Angeles in 2019.
Robert Walser’s main argument in the article ‘Forging Masculinity: Heavy Metal Sounds and Images of Gender is that heavy metal can and has traditionally been seen as ‘male music’ (Walser, Robert. 1993. Forging Masculinity: Heavy Metal Sounds and Images of Gender. Running With the Devil. Wesleyan University Press.
Brahm Stoker’s “Dracula” highlights concerns prevalent within the Victorian era, shown through characters, symbols and themes throughout the novel. Prior to this, Samuel Taylor Coleridge worked within the Romantic era absorbing a multitude of radical political and theological ideas, ideas which often underpinned his works. Coleridge’s “Christabel” confronts concerns surrounding universal human characteristics, particularly those most prominent within his era, such as female purity and innocence. In contrast to these more traditional beliefs, “Blood; The Last Vampire” articulates anxieties surrounding the breakdown of a society and the repercussions of this in relation to a younger, more contemporary society. The “dark side’ within these texts are often projected through a singular symbol, character or theme that is unaccepted or feared by its surrounding society.
Comparison of Frankenstein and Blade Runner While Blade Runner is a collaborative work of the twentieth century using technological mediums, Frankenstein is a more traditional novel written as part of a competition to see who could create the most Gothic (horror) story using language. The two are separated by two hundred years and yet share many of the same concerns. BLADE RUNNER | FRANKENSTEIN | Blade Runner1 is a Ridley Scott adaptation of the Philip K. Dick novel Do Androids Dream of Electric Sheep?As a dystopia (dark future) it uses the glazed cinematic techniques of film noir that tends to distance us from the characters and actions. More @ Cinematic Techniques: | This is a Gothic Novel. Mary claims the inspiration for her story came from a vision she had during a dream.
Metal bands usually consist of a drummer, vocalist, lead guitarist, backing guitarist and a bassist with some bands having backing vocals and even keyboards. By using these instruments you create metal music. But what is metal? Metal music is has a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Body: * P1
Gothic music fans find some change from happiness to horror in all things to which Gothic musicians sing about. "Everything is cold now" for the dream had to end" reoccurring sentiments of Gothic music (Seventeen Seconds). For Gothic literature and music, word choice changes all beauties to beasts. Diction is an irreplaceable tool in Gothic literature. In Frankenstein, Mary Shelley's eerie diction turns an otherwise normal elements of life into bizarre events; a transition which Gothic musicians frequently use.
They, themselves were changing from the typical rock style to a more unique and variable type of band. The music on this album shows all different styles and how they were trying to take their lyrics and reinforce the message of ‘change’ to the current popular rock music. The title (Revolver) even lends itself to this changing time. The album revolves from one band member to the other as it captures the changes in each song. And the topics of each of the songs move from the worldly (Taxman) to the personal (For No One), from adolescent sexual joy (Love You To) to a more spiritual love (Here There and Everywhere), and from a childish (Yellow Submarine) to the desperate loneliness of old age (Eleanor Rigby).
Blade Runner Essay Question: In what ways does a comparative study accentuate the distinctive contexts of Frankenstein and Blade Runner? Answer: Through texts composers have been able to highlight and examine key ideas relative to their specific context. A text has the ability to bring to the forefront its contextual ideas in a engaging manner. In Mary Shelley’s novel Frankenstein the context is highlighted through 19th century ideas of Gothicism and Romanticism in an entertaining but concerning manner. Additionally, Ridley Scott’s feature film Blade Runner depicts a dystopian world devastated by capitalism, greed and technology which were primary concerns in the context of the 1980’s.
Led Zeppelin Research Topic Led Zeppelin was an English rock band active in the late 1960s and throughout the 1970s. Formed as The New Yardbirds in 1968, the band consisted of guitarist Jimmy Page, singer Robert Plant, bassist/keyboardist John Paul Jones and drummer John Bonham. Led Zeppelin are frequently recognised as the progenitors of heavy metal and hard rock and they have also had a significant cultural impact. In 1966, Jimmy Page joined the blues-influenced rock band, The Yardbirds, replacing bassist Paul Samwell Smith. Page wanted to form a supergroup so he and bassist Chris Dreja began putting a new line up together.Terry Reid (Page's first choice for lead singer of the band) suggested Robert Plant, a Stourbridge singer for the Band of Joy and Hobbstweedle.