Hamlets Tragic Flaw

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Hamlet, by William Shakespeare, is full of tricks, ruses, deceptions and conspiracies. The play also contains many details that support a theme of rottenness or foulness. Because of this, it is easy for the reader to be driven to the conclusion that Hamlet is, in fact, primarily a revenge play. However, in Hamlet the word revenge takes on a different meaning because it is actually Hamlets delay in avenging the murder of his father that makes this play a tragedy. The prince’s inability to act and tendency toward melancholy refection is a “tragic flaw” that leads inevitably to his demise. Shakespeare makes it known to the reader that Hamlet has not come to terms with the death of his father at the very beginning of the play. Hamlet is characterized as a melancholy, brooding man, full of angst and disgust for the situation he has been placed in because of his mothers choice to marry his father’s brother shortly after Hamlet Sr.’s death. This marriage has now made Hamlet Sr.’s brother, Claudius, king and it is very obvious that Hamlet is suspicious of Claudius’ motives and character in general. Hamlet does not see a point to living. This is brought to the reader’s attention when he says “How (weary,) stale, flat, and unprofitable seem to me all the uses of this world” (1.2. 137-138), and this is carried on throughout the play. The famous line “To be or not to be ─ that is the question:” (3.1. 64) comes from Hamlet. However, Hamlet cannot bring himself to actually commit suicide because he does not know what awaits after death. This presents the large flaw that makes Hamlet such a tragedy. Hamlet is rather fickle and is in constant conflict about what he wants to do about what is making his so conflicted. When Hamlet is approached by his father’s ghost in 1.5, the ghost is asking Hamlet to “revenge his most foul and unnatural murder” (1.5. 31). According to the

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